The Anecdote to Distraction is Art

“If you are on a mission to discover what you have to offer, and to bring it out into the world, every moment you spend distracted is a moment you aren’t following your art. It’s a moment you aren’t pursuing your true potential.”

— David Kadavy

David Kadavy, “The Anecdote to Distraction is Art”, https://steemit.com/productivity/@kadavy/the-antidote-to-distraction-is-art-1515195404-5002096. Accessed 7 December 2019

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Recollections from Gallipoli
Title: Recollections from Gallipoli Text: Ellis Salis Music: Greg Smith Instrumentation: Tenor and piano Product medium: PDF score Sample:
Gershwin: the life at the party
Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.
An unknown piece by Brahms
An undiscovered piano piece by Brahms (entitled Albumblatt, meaning “sheet music from an album”) has been discovered by Christopher Hogwood at Princeton University. The tune reappears in second movement of Brahms’ Horn Trio, written 12 years later. Alex Needham, “Brahms piano piece to get its premiere 159 years after its creation”, The Guardian, 13 January […]
My Shepherd is the Living Lord/I Know That My Redeemer Lives
Title 1: My Shepherd is the Living Lord Text 1: Isaac Watt Title 2: I know That My Redeemer Lives Text 2: Samuel Medley Tune title: My Shepherd 88.88 Composer: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:
The Vineyard of the Lord is the House of Israel – Psalm 79 (80)
Title:The Vineyard of the Lord is the House of Israel Text: Psalm 79 (80): 9, 12-16, 19-20. R. v. 5:7 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Karajan and direction
Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
Work so that you don’t have to work
Herr Richter, the pianist, is going on a tour that will take him back to Holland, his native country – I have given him a letter introductionto the Countess Thun at Linz. – He also wishes to visit Salzbourg, so I gave him a 4-line note for you, my dearest father … He plays well […]
Baroque they are not
Between 1910 and 1938 the Austrian violin virtuoso Fritz Kreisler produced some arrangements of works by Boccherini, Martini, Couperin, Vivaldi and Porpora. They were positively achieved by the crticis.  In 1935, Kreisler revealed that there were not arrangements at all, but in fact works which he had written from scratch.  Suddenly critic’s attitudes to the […]
My tempo must be followed
Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]
Handel and the soprano
The great singer, Cuzzoni, refused to sing an air of his the way he wished it. He seized her, and, dragging her to a window, threatened to throw her out, thundering, “I always knew you were a devil, but I’ll show you that I am Beelzebub, the prince of devils.” Hughes, Rupert (2004) The Love […]