The first soundtrack: Snow White

The first soundtrack to be commercially released was Disney’s 1938 film Snow White and the Seven Dwarfs. The songs were written by Frank Churchill (music) and Lary Morey (lyrics). The score was written by Churchill and Leigh Harline, with some additional music by Paul Smith.

Although Churchill and Morey originally wrote 25 songs for the film, it was typical of Walt Disney’s critical process of film making process to include only a selection in the final product: I’m Wishing, One Song, With a Smile and a Song, Whistle While You Work, Heigh-Ho, Bluddle-Uddle-Um-Dum (The Washing Song), The Silly Song (The Dwarf’s Yodel Song), Some Day My Prince Will Come, Music in Your Soup,and You’re Never to Old to be Young.

Walt Disney was adamant that music should serve as an integral part of the plot rather than an accessory to the film. He said: “It still can be good music and not follow the same pattern everybody in the country has followed. We still haven’t hit in any of these songs. … It’s still the influence from the musicals they have been doing for years. Really, we should set a new pattern, a new way to use music – weave it into the story so somebody doesn’t just burst into song.” (1)

Some other interesting facts about this soundtrack:

  • In one scene, Grumpy plays a weasy old organ. To produce this effect, Jim Macdonald (the sound effects creator) had studio personnel blow into large jugs. Animators Frank Thomas and Ollie Johnston recalled: “With considerable ingenuity and a great deal of blowing and accompanying dizziness, a track had been recorded for the organ that Grumpy played in the dwarf’s house. It was only a first test, but it involved everyone in the studio who could read music, plus a handful of competent musicians and all the sound effects men, some thirty of us in all, blowing on bottles and jugs and strange homemade instruments. The most demanding part was for the man who blew over the giant jug for the lowest bass notes. That part had gone to Jim.” (2)
  • The score was nominated for an Academy Award.
  • Although the film cost around $1.5 million to make, it grossed more than $8 million at the box office.

(1) Tietyen, David (1990) The Musical World of Walt Disney. Wisconsin: Hal Leonard, p.37.
(2) Ibid., p.41.


Featured Content

Composition services
Elgar’s football team
Elgar loved his football, particularly the Wolverhampton team.  His friend Dorebella recalled the first match he attended at Wolverhampton: It all delighted him. The dense crowd flowing down the road like a river; the roar of welcome as the rival teams came on to the ground; the shouts of men calling to their player friends […]
Autumn Leaves
Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
Hope
“Hope is the dream of a soul awake.”— French proverb. R. A. Krieger, Civilization’s Quotations: Life’s Ideal, New York, Algora Publishing, 2002, p.151. 
Rachmaninoff the examiner
In 1900, Rachmaninoff worked at the Yekaterininsky Girls’ Institute.  One of his students recalled her experience of examination day: The lessens after luncheon seem an eternity – the examination is to begin at 4.I straighten the front bow of my apron, gather my music together, and run to the music room.  The students to be […]
Ode I
Title: Ode I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: Your browser does not support the audio element.
The experience of beauty
“The experience of beauty … consists of finding a spiritual value (truth, happiness, moral ideals) at home in a material setting (rhythm, line, shape, structure) and in such a way that, while we contemplate the object, the two seem inseparable.” – John Armstrong, The Secret Power of Beauty.
Mozart’s daily schedule
“…at 6 o’clock in the morning I’m already done with my hair; at 7 I’m fully dressed; – then I compose until 9 o’clock; from 9 to 1 o’clock I give lessons. – Then I Eat, unless I’m invited by someone who doesn’t eat lunch until 2 or 3 o’clock as, for instance, today and […]
Fightened of ideas
“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” – John Cage Cited in: Richard Kostelantez. Conversing with Cage (New York : Limelight Editions, 1988).
Quasi Dance II
Title: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE: