The mannerisms of Pachmann

The Russian pianist, Vladimir von Pachmann was known for his funny mannerisms:

Everyone knows that the Russian pianist has funny ways of his own, which the public tolerate for the pleasure he affords them as an artist. On this occasion, we read, he remarked, first of all, “Too few people; I cannot play. This is a sham.” The audience applauded and were told, “Not now! Now now! Listen till I have done; then I like you to applaud.”

A row of gas jets having offended his eyes, Mr. Pachmann stopped playing. They must be extinguished. “I like to play in not too much light” — this confidentially to the audience — “I like to look up and think. But all that light — no, no.” The artist then left the stage for ten minutes, whereat the public grew restless.

Returning, Mr. Pachmann asked his patrons to be patient. Meanwhile, the hall-keeper could not be found and the lights blazed on. Finally, however, they were extinguished, and the pianist got to work again. But the comedy has not ended. The hall-keeper returned, and seeing no gas jets, marched on with a taper to relight them.” “Go away, go away!” exclaimed Mr. Pachmann, “I do not want you.”

Noticing some ladies quitting the hall, the artist remarked — playing, as we understand, all the time — “Ladies! They are not ladies. They ought to stay and hear such an artist.”

It cannot be denied that the Portsmouth Recital was an entertainment.

An account from a Portsmouth newspaper about a Pachmann recital in Musical Times, April 1893. Cited in: Scholes, Percy (1947) The Mirror of Music. London: Novello and Company, vol. 1, p.316.


Posted

in

by


Featured Content

As good as Paderewsky
“At the end of a dinner he was attending by a lady in Liege, Ysaÿe was asked to listen to a young violinist. Although he felt tired and was longing to go back home he could not but accept his hostess’s request. The young man played several pieces from his repertoire. Then, after a long […]
Debussy’s recreational activities
Often at the end of the day Gaby [Debussy’s lover] would discover that they had a little money left over and then they would go out to a café, or circus, or to watch a billiards match. Debussy was very fond of the game. At the circus he loved the clowns and was as excited […]
A mushroom anyone?
…everybody was possessed by the Russian passion for gathering mushrooms.  Rivalries ran high, mushrooms were counted and compared, their beauty was discussed.  Rachmaninoff was an early riser and often went alone for a walk in the woods.  He used to return contented and start teasing (he was a great teaser).  One day he badgered us […]
Hough and Schnabel on piano rolls
I want to believe in piano rolls. The idea that we can insert an object into a present-day piano and hear long-dead pianists and composers perform again as if they were in the same room is a tantalisingly attractive prospect. It has a magical aura about it. But, I’m afraid, it’s a conjuring trick, or […]
Music as a means of common meditation
“There is also in this music an extraordinary sense of control over the passage of time; a moment will be held still as if suspended, and then released, with a rush.  Einstein has told us that time is relative, flexible and elastic; I have noticed these qualities whenever I have tried to play to the […]
Music is the real life
In modern life electricity plays a great part.  Sometimes it is used destructively – sometimes creatively – but there is another power which is like electricity, only far more subtle and penetrating.  This power is all-pervading.  It is omnipresent.  If we understood this power we would know the secret of the magical influence of music.  […]
Alleluia! Sing to Jesus (Hyfrydol) – SATB, brass, and organ
Title: Alleluia! Sing to Jesus (Hyfrydol) Composer: Rowland Prichard; arr. Greg Smith Text: Rev 5:9; William C. Dix Instrumentation: SATB, brass (hrn, tpt, 2 tb), and organ Product medium: PDF score and parts Samples:
Satie’s day
Satie wrote that “An artist must organise his life.” In 1913, he set said out a schedule in which he stated he would be inspired between 10:23 and 11:47am, and 3:12 to 4:10pm. The timetable allowed for daily house riding, and various other activities such as fencing, reflection, immobility, visits, contemplation, swimming, etc. The day […]
Liszt’s account of a performance by Chopin
Franz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]
The progress of an artist
What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality. – T. S. Elliot, Tradition and the Individual Talent (1919)