I’ll Softly SighComposer: Greg Smith Title: I’ll Softly Sigh Instrumentation: Piano Performer: Greg Smith (2010) Your browser does not support the audio element. Sheet music
Perahia on BeethovenMurray Perahia initially found Beethoven hard to understand: “I was always working on Beethoven, but I couldn’t feel close to him. For nearly ten years I didn’t altogether like his music because I felt it showed an aggressive, up-front personality.” But after studying, performing, and recording Beethoven (Appasionata,op. 2, op. 101 and the Piano Concertos), […]
The importance of reading“Whoever wishes to play well must not only practice a great deal, but must also read a great many books.” – Johannes Brahms. Cited in: Goss, Madeleine (1943). Brahms: The Master. New York: Hery Holt & Company, p.157
Brahms’ stingy sideMusicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant. He bought only the cheapest clothes, wore the same […]
Johann Sebastian Bach: Sonata for violin and obbligato keyboard in A major (BWV 1015)I. Dolce II. Allegro assai III. Andante un poco IV. Presto Prior to J. S. Bach, the harpsichord in ensemble music was primarily a means of harmonic support. The harpsichordist would read from a figured bass—in other words, the part was rarely written out in full. Bach raised the level importance of the harpsichord to […]
It is best to do it well“It takes less time to do a thing right than to explain why you did it wrong.” – Henry Wadsworth Longfellow, poet
Busoni on inventionI came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the […]
The ideal and the played performanceSome conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]
Sibelius’ punch recipe“Punch recipe (for Satu’s christening party) 1 l water + sugar + jam + brandy or spirit. Add 2 bottles of wine when everything is completely cold. Add a few drops of Bergamot oil in a lump of sugar, which must be melted in the water. (N.B. All mineral waters make the punch black.” Jean […]
Arthur Rubinstein’s youthful practice habitsInterviewer: So many children hate to take music lessons. Can you understand this? Rubinstein: Oh, yes, I was one of them. You see, music lessons mean always this horrible dictatorial attitude of the professors. They slap four fingers and aarh; they shout at you: “Can’t you learn that? You must practice scales!” I mean, it […]