“There is no real teacher who in practice does not believe in the existence of the soul, or in a magic that acts on it through speech.” Allan Bloom (1987) The closing of the American mind: How higher education has failed democracy and impoverished the souls of today’s students.  New York: Simon Simon and Schuster, […]

Title: Abstraction IV Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:

My love for Schubert is a very serious one, probably because it is no fleeting fancy. Where is genius like his, which soars heavenwards so boldly and surely, where we see the few supreme ones enthroned. He is to me like a son of the gods, playing with Jupiter’s thunder, and also occasionally handling it […]

Sergey Prokofiev was once evicted from his apartment for playing the same chord 218 times.  A tally was kept by the downstairs tenant. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.69.

Title: Ode I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: Your browser does not support the audio element.

The Russian composer Sergei Prokofiev was evicted from his lodgings on several occasions on account of the noise which accompanied his endeavors. Eventually he stopped composing at the piano, using it only to test certain harmonic combinations. This practice proved adequate until his work was interrupted one day by the arrival of a policeman: “You […]

The theme to the comedy series The Office is based on the 1967 song “Handbags and Gladrags” (written by Mike d’Abo). It was arranged by Big George in 2000.

Title: A Child is Born in Bethlehem. Five Christmastide arrangements for piano by Greg Smith Arranger: Greg Smith Instrumentation: Piano Product medium: PDF score Contents: A child is born in Bethlehem (Danish melody) High from the tree's green top (E. Horneman) In a basement black as coal (C. M. Bellman) Lovely is the blue sky […]

Debussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]

“I did not want to describe emotions or scenes through music. I wanted to be at a certain distance from the story and the characters, and I wanted to be in between the actual story and what we see on the screen, and the viewers, in terms of writing the music.” — Joe Hisaishi T. […]