Ganymed (Schubert)Title: Ganymed (Op. 19, No. 3)Composer: Franz SchubertArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part Sample:
It must be worth the effortMartinu on creating beautiful music: “It must be beautiful, or it wouldn’t be worth the effort.” Cited in: Calum MacDonald, “Bohuslav Martinu: Cosmopolitan Dreamer”, BBC Music, August 2009, p.45.
Borge on Borodin"My favorite Russian composer is Borodin, mainly because he had the shortest name. Except for Cui, who was just showing off. […] Cui wrote an opera called A Feast in Time of Plague. Shows you what kind of guy HE was." (Victor Borge, My Favorite Intermissions, New York, 1971, p133)
What Cage couldn’t stand“John Cage once said he couldn’t abide the Dominant Seventh, and the saxophone.” Ned Rorem (2000) Lies: A Diary 1986-1999. Cambridge: MA: Da Capo Press, p.65.
Julius Asal on the exploring darker emotionsWhen I was younger I read a lot of Kafka and Büchner: I’ve always been drawn to the darker side of things, and I think that part of the beauty of what we do as artists is to dare other people to explore it too. I wish the listener to invest something. Showing up to […]
Meditation IIComposer: Greg SmithTitle: Meditation IIInstrumentation: PianoProduct medium: PDF scorePrice: $3 Sample: Your user agent does not support the HTML5 Audio element.
Knowledge represents inner strength“Knowledge is not a passion from without the mind, but an active exertion of the inward strength, vigor and power of the mind, displaying itself from within.” – Ralph Cudworth, Treatise Concerning Eternal and Immutable Morality (1731)
How not to get an audienceSatie’s ballet Relâche (1924) had trouble pulling a crowd: the title translates as “this performances is cancelled”. Source: Lawrence, Christopher (2001) Swooning. Sydney: Random House, p.70.
GreatnessGreatness means the construction of an inner world, and the communication of this inner world to the physical world of humanity. The two belong together; neither is thinkable without the other. The strongest feeling and the most vivid imagination are worthless to humanity if they do not manifest themselves; the greatest constructive talent is worthless […]
Gershwin and RavelRavel, touring America in 1928, was approached by George Gershwin for composition lessons. Ravel refused, stating “you would only lose your own spontaneity and end up by writing bad Ravel!” Cited in: James, Burnett (1983) Ravel: His Life and Times. New York: Midas Books, p.120
