Haydn’s auditionKarl Georg Reutter II was appointed choirmaster at St. Stephen’s Cathedral in Vienna in 1738. The following year he went on tour to recruit choristers. In the town of Hainburg, Joseph Haydn (at stage seven years of age) auditioned. The contemporary biography Guiseppe Carpani recalled: Reutter gave him a tune to sing at sight. The […]
Quiet minds“Quiet minds cannot be perplexed or frightened, but go on in fortune or misfortune at their own private pace, like a clock during a thunderstorm.” Robert Louis Stevenson, author
Handel and the sopranoThe great singer, Cuzzoni, refused to sing an air of his the way he wished it. He seized her, and, dragging her to a window, threatened to throw her out, thundering, “I always knew you were a devil, but I’ll show you that I am Beelzebub, the prince of devils.” Hughes, Rupert (2004) The Love […]
Quasi Dance IITitle: Quasi Dance II Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:
First impressions of Schindler’s ListWhen renowned composer John Williams first watched a rough cut of Schindler’s List at director Steven Spielberg’s home in Los Angeles, he got so choked up he couldn’t speak. “I had to walk around the room for four or five minutes to catch my breath,” Williams recalls. “I said to Steven, ‘I really think you […]
The state of opera: 1720sIn 1720 in Italy, opera was largely dictated by the egos of the singers, rather than considering the text, or the composer: The satirical writer Marcello wrote that the opera composer will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure which their […]
Feed the inner beastLou Dorfsman, design chief for CBS Radio and later the CBS Television Network for over 40 years, once said, “In reality, creativity is the ability to reach inside yourself and drag forth from your very soul an idea.” However, nothing comes from nothing. You must continuously feed the inner beast that sparks and inspires. I […]
Einstein on MozartEinstein wrote that Mozart’s music “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.” Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: CRC Press, p.131.
Communication with the audienceIgor Stravinsky contemplates the ultimate goal of an artist versus reality: “Art postulates communion [between the artist and the audience], and the artist has an imperative need to make others share the joy which he experiences himself. But in spite of that need, he prefers to direct and frank opposition to apparent agreement which is […]
The worker and his object“In all types of creative work the worker and his object become one, man unites himself with the world in the process of creation.” — Erich Fromm
