The sole purpose of art is infinite

E. T. A. Hoffmann wrote in 1813 that instrumental music

is the most romantic of all the arts  – one might almost say, the only genuinely romantic one – for its sole subject is the infinite.  The lyre of Orpheus opened the portals of Orcus – music discloses to man an unknown realm, a world that has nothing in common with the external sensual world that surrounds him, a world which he leaves behind him all definite feelings to surrender himself to an inexpressible language.

Oliver Strunck, ed. Source Readings in Music History (New York, 1950), pp. 775-76.  Cited in : Plantinga, Leon (1984) Romantic Music.  New York: Norton, p.14.

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O Danny Boy
Long before the tune Danny Boy even had words the tune existed as an Irish folk melody.  A study in 1979 revealed that Londonderry Air was related to Aislean an Oigfear (The Young Man’s Dream), which had been collected in 1792 from harpist Denis O’Hampsey  He was over ninety at the time and had played […]
Beethoven’s handwriting
Franz Xaver Schnyder von Wartensee (1786-1868) was a composer who wanted lessons with Beethoven.  Beethoven would only look at his compositions. Schnyder often dined in the Mehlgrube, because he knew that Beethoven often went there at the same time in the evening. One lovely spring night Schnyder, on entering the restaurant, saw his friend Beethoven […]
You don’t need permission to create
Gus Fairbairn (aka Alabaster dePlume) on the success of his album, To Cy & Lee: I was not expecting that with this piece of work. I made them not thinking that anyone would want to listen to them. It all goes to show that no one will give you permission to make the great things […]
Mahler’s bowing instructions
Rachmaninoff played his Third Concerto in January 1909 in New York, conducted by Gustav Mahler. Rachmaninoff recalled the rehearsal: Suddenly, Mahler, who had conducted this passage a tempo, tapped his desk: “Stop!  Don’t pay any attention to the difficult bowing marked in your parts. … Play the passage like this,” and he indicated a different […]
Arthur Schopenhauer on music
Now the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]
It’s not hard work
“Talent labors, genius creates.” Florestan (one of Schumann’s characters) Robert Schumann,Gesammelte Schriften über Musik und Muisker  (Leipzig, 1854), IV.  Cited in Weiss, Piero & Taruskin, Richard (2008) Music in the Western World: A History in Documents.  California: Thomson, p. 306.
Where to curse the orchestra
The following is an account of the conductor Hans von Bülow: Bülow’s close relationship with his Berlin audience was not achieved without some stress and strain along the way.  At a Philharmonic concert in January 1892, a half-dozen latecomers, who had been held up at the cloakroom during the intermission, made a noisy entrance in […]
Claude Debussy: Suite Bergamasque
I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, located forty kilometres east of Milan. The character of its citizens (“rustic and clumsy”) was personified by a series of dances and the Italian comic character Harlequin (1572). This comic character is evident particularly in […]
Schnabel on recording
Having spent five days recording five Beethoven sonatas and two concertos, Schnabel wrote to his wife: This week was an ordeal, a torture chamber. “What does not kill me makes me stronger,” says Nietzsche. Hopefully (probably) this is true. I had no idea of how outrageous a process the recording on discs could be. Like […]
Climbing Mount Fuji with a cello in hand
“In 2007 Italian cellist Mario Brunello climbed to the summit of Mount Fuji and played selections from Bach’s cello suites, declaring that “Bach’s music comes closest to the absolute and to perfection.” Source: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.6.