In his Beethoven: Biography of a Genius, Marek provides an insight into Beethoven as a boy: The boy was looking out of the window, his head cradled in his hands.  His mien was serious, his glance rigid. Cäcilia Fischer came along the courtyard and saw him. “How are you, Ludwig?” she shouted up to him.  […]

Title: Daydream Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE: 

Nora Guthrie, Woody's daughter, once told me a story about a reception she was at where Bob Dylan was in attendance. The business people there were quietly commenting on how unsociable Dylan seemed to them, not what they imagined an encounter with Dylan would be like. When that observation about Dylan's behavior and disposition were […]

I have never questioned the importance of melody. I love melody, and I regard it as the most important element in music. I have worked on the improvement of its quality in my compositions for many years. To find a melody instantly understandable even to the uninitiated listener, and at the same time an original […]

Sergey Prokofiev was once evicted from his apartment for playing the same chord 218 times.  A tally was kept by the downstairs tenant. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.69.

Ask him to write a song, though, and he’ll likely turn you down on the basis that he has a problem with “any form of authority, and the authority that is put upon you of writing a song”. “Verse, chorus, verse, chorus, middle eight…” he says. “It’s always the same bloody structure. I end up […]

Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]

Title: Abstraction IX Composer: Greg Smith Instrumentation: Brass quintet (2 trumpets in B-flat, Horn in F, trombone, bass trombone) Product medium: PDF score and parts SAMPLE:

The following is an account of the conductor Hans von Bülow: Bülow’s close relationship with his Berlin audience was not achieved without some stress and strain along the way.  At a Philharmonic concert in January 1892, a half-dozen latecomers, who had been held up at the cloakroom during the intermission, made a noisy entrance in […]

‘”…turning 40 and new fatherhood have other effects: ‘It opens things up emotionally’, he says.  ‘I find that my whole perspective on life and my whole emotional range generally has changed.  I laugh more easily and cry more easily.  And that probably has an impact on the music making in one way or another.  Everything […]