Alleluia! Sing to Jesus (Hyfrydol) – SATB, brass, and organTitle: Alleluia! Sing to Jesus (Hyfrydol) Composer: Rowland Prichard; arr. Greg Smith Text: Rev 5:9; William C. Dix Instrumentation: SATB, brass (hrn, tpt, 2 tb), and organ Product medium: PDF score and parts Samples:
Music and identity“The more anonymous music is, the less likely people will be to feel attached it and to feel the need to support it. But when someone knows who you are, when you’re not just some disembodied vibrations in the air, they’re far more likely to stand behind you.” Isaac Schankler. “Beyond Sound and Science: Musicians, […]
WeedsBut weeds have this virtue: they are not easily discouraged; they never lose heart entirely; they die game. If they cannot have the best, they will take up with the poorest; if fortune is unkind to them today, they hope for better luck tomorrow; if they cannot lord it over a corn-hill, they will sit […]
The effect of art“There’s a phrase I’ve often heard from audience members at popular musicals (but, oddly, never anywhere else): the show, they’ll say, “really took me out of myself”. They are saying something basic and profound about the ecstasy of art, the act of being taken out of one’s normal state to a different level of being. […]
Stokowski and his audienceThe conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them. When they grew fidgety, he shamed them into attentiveness and concentration. “Please don’t do that,” he once admonished an audience of program shufflers. “We work hard all week to give […]
Gershwin’s playing (and sense of humour)The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played. He could transpose into any key with the greatest of ease. He had total command of what he was doing. Musical surprises, unusual changes of keys. He was one of the few composers who had […]
Arthur Schopenhauer on musicNow the nature of man consists in this, that his will strives, is satisfied and strives anew, and so on for ever. Indeed, his happiness and well-being consist simply in the quick transition from wish to satisfaction, and from satisfaction to a new wish. For the absence of satisfaction is suffering, the empty longing for […]
Golden rules for an orchestra‘”There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.” – Thomas Beecham, conductor. Cited at: Quotationsbook
Teaching in KabulEmma Ayres, a violist and former ABC Classic FM radio presenter, discusses her experience in teaching in Kabul at the Afghanistan National Institute of Music. CP: You teach viola, cello, and violin as well? EA: A little bit of violin and a little bit of double bass, although I’m not a very good double bass […]
Mozart and Beethoven“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each […]
