“Learn the rules like a pro so you can break them like an artist.” Attributed to Pablo Picasso, painter

“You ask if in composing this symphony I had a special programme in view. To such questions regarding my symphonic works I generally answer: nothing of the kind. In reality it is very difficult to answer this question. How interpret those vague feelings which pass through one during the composition of an instrumental work, without […]

In a radio interview in 1937, Edward Elgar’s violinist friend William H. Reed described Elgar’s “distractions” while composing the violin concerto: I can never play the last movement without seeing the River Wye flowing past the meadow at Hereford where Sir Edward and I used to practise throwing a boomerang in our “off-time” between working […]

Title: Abstraction II Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

I have never questioned the importance of melody. I love melody, and I regard it as the most important element in music. I have worked on the improvement of its quality in my compositions for many years. To find a melody instantly understandable even to the uninitiated listener, and at the same time an original […]

Vaughan Williams had asked Holst about his experience of having an agent. Holst, who was at Harvard University at the time, replied: I’m very glad I’ve made use of Duncan McKenzie (OUP) as an agent. He has been really helpful and I hope you’ll at least consider using him. The alternative would be to print […]

The Beethoven family tree can be traced back to the mid 13th century. The name appears in chronicles of Flemish cities, in parts of northern France, in Mechlin and Antwerp. Two possible theories of the origins of the name are: – van (the) Hof (Beet-Garden) – grower of Beets – after the Belgium town of Betouwe (“be” […]

“Satie said, ‘I want to make a play for dogs, and I [already] have the staging planned. The curtain rises to reveal a bone.’ Poor dogs! After all, it’s their first play. Later one will present more difficult shows to them, but one will always return to the bone.” – Jean Cocteau, playwright Cited in: […]

Title: A Swan (Ein Schwan), op. 25, no.2 Composer: Edvard Grieg Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:

Rachmaninoff had a little help with a fugue exam at the Moscow Conservatory in 1891: By mistake the examinations of Rachmaninoff in both piano and fugue were scheduled for the same day and hour, so his fugue examination was transferred to the following day, when he was to be examined alone, the rest of the […]