What happens is a continual surrender of himself as he is at the moment to something which is more valuable. The progress of an artist is a continual self-sacrifice, a continual extinction of personality. – T. S. Elliot, Tradition and the Individual Talent (1919)

Title: I Shall Live in the House of the Lord Text: Psalm 22 (23) Composer: Greg Smith Instrumentation: SATB and piano     Related settings:     – The Lord is my shepherd (Psalm 22; Greg Smith) – SATB and piano (PDF score) Product medium: PDF score and part Sample:

In the eighteenth century, hooped skirts were a popular choice of ladies dress attire as they enabled a dramatic entrance, and also flattered the figure when pregnant. They did take up considerable space though. For the performance of the Messiah Handel instructed the ladies to come without hooped skirts, and gentlemen without their swords. The […]

Czech composer Bohuslav Martinů was born and spent most of his childhood in a church tower in Polička, on the borders of Bohemia and Moravia.  Martinů recalled that the panoramic view encapsulated “the vast and boundless space I am always searching for in my music.” Source: Calum MacDonald, “Bohuslav Martinů”, BBC Music, August 2009, p.44.

Bassoon

Title: Sleeping Beauty Waltz Composer: Pytor Il’ich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:

Title: I will walk in the presence of the Lord Text:     – Psalm 115 (116b):10, 15-19 (R. Psalm 114 (116a):9)     – Psalm 114 (116a):1-6, 8-9. R. v.9. Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF Score and part Sample:

The stage director of the first Porgy and Bess production recalls hearing the score in Gerswhin's New York apartment: They both blissfully closed their eyes before they continued with the lovely "Summertime" song.  George played with the most beatific smile on his face.  He seemed to float on the waves of his own music with […]

Brucker was invited by Hans Richter to conduct one of his symphonies with the Vienna Society of Friends of Music. At the rehearsal he stood on the conductor’s platform, stick in hand, with a beatific smile on his face. The orchestra were all ready to begin, but he would not lift his stick to give […]

Humorists Ilf and Petrov described a concert by Rachmaninoff In New York (November 1935): The night we went to hear him he appeared tall, bent, and thin, with a long sad face, his hair closely clipped; he sat down at the piano, separated the folds of his old-fashioned back swallowtail, adjusted one of his cuffs […]