Benjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]

“It’s a very reactionary viewpoint and I’m slightly ashamed, but I find it very difficult to access contemporary music. I am not prejudiced, but my work in tonal music leads me to believe nothing can be organic if it doesn’t have a [sense of] “home.”  This idea of belonging, or home, can’t be an intellectual […]

“Arthur Rubinstein was standing in the lobby of a concert hall proudly watching the audience filing in to hear one of his recitals.  Finally, when the last one had gone in, Rubinstein made a move to enter.  An usher blocked his way.  ‘Sold out, mister’, he said, and to reinforce his words he pointed to […]

(250, 308, ‘How Caffeine Can Cramp Creativity’, ‘how-caffeine-can-cramp-creativity’, ‘ Caffeine can boost energy, reduce fatigue, and increase short term concentration and problem solving skills. However, creativity is haboured in a less focused mind: Creative insights and imaginative solutions often occur when we stop working on a particular problem and let our mind move on to […]

Leopold Stokowski gave the Philadelphia premiere of Ravel’s Bolero as an “encore” at a Friday afternoon concert. The newspaper critics had all left the hall, and so once again word of mouth had to prove its effacy, for at the Saturday night concert, after the last number, the audience applauded with unusual fervour and would […]

Beethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]

Title: Golliwog’s Cakewalk (from Children’s Corner Suite) Composer: Claude Debussy Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:

How do you rate your music? We’re not good musicians.  Just adequate. Then why are you so popular? Maybe people like adequate music. – Interviewer and the Beatles. Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 203.

Title: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: Piano (easy)     Related products:     – Prayer of Thanksgiving to the Trinity

In 1908-9, Claude Debussy made two appearances conducting his own works in England.  The Musical Times reported on the occasions. The report on the first concert: Nothing could have been heartier than the applause which greeted M. Claude Debussy as he stepped on to the platform at Queen’s Hall on February 1.  The warmth of […]