Rachmaninoff on modernity versus his musical style

I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing, and I cannot acquire the new. I have made intense effort to feel the musical manner of today, but it will not come to me. Unlike Madame Butterfly with her quick religious conversion, I cannot cast out my musical gods in a moment and bend the knee to new ones. Even with the disaster of living through what has befallen the Russia where I spent my happiest years, yet I always feel that my own music and my reactions to all music, remained spiritually the same, unendingly obedient to trying to create beauty.

– Sergei Rachmaninoff

R. Mitchell, Sergei Rachmaninoff, London, Reaktion Books, 2022, p. 12.


Posted

in

by


Featured Content

Diderot on good music
“Good music is very close to primitive language.” Denis Diderot (Elements of Physiology, 1875)
Silent Steps – Rabindranath Tagore
Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:
LA no longer the center for film scoring
“…a panel of experts warn that film, TV and videogame scoring continues to leave L.A. because producers are unwilling to meet union demands. “If work continues to dry up at the current rate, they speculated, one or more of the three remaining large scoring stages (Fox, Sony, Warner Bros.) could close “within the next two […]
Ask Me Why (Evacuation) (The Boy and the Heron)
Composer: Joe HisaishiArranger: Greg SmithTitle: “Ask Me Why (Evacuation)”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.
Puccini’s rain machine
Puccini custom built a villa in the seaside resort of Viareggio. Here, Puccini had a “rain machine that sprinkled water from the trees, beneath which he would stand with an open umbrella, cooling himself from the summer heat. Source: Wilson, Conrad (2008) Giacomo Puccini. London: Phaidon Press, p.205.
Memory
Andrew Lloyd Webber originally composed the melody that is now known as “Memory” from Cats for a miniature opera about Puccini and his wife. The opera was never performed, but the melody was brought out of retirement as possible song for Juan Peron in Webber’s Evita.  That show was certainly performed but the melody in […]
The effects of Brahms’ music
James Huneker, a critic with the New York Courier, wrote about the impact of Brahms’ music on him: Brahms dreams of pure white staircases that scale the infinite. A dazzling, dry light floods his mind, and you hear the rustling of wings – wings of great terrifying monsters; hippogrifs of horrid mien; hieroglyphic faces, faces […]
Debussy on impressionism
What I am trying to do is something ‘different’ – an effect of reality, but what some fools call Impressionism, a term that is utterly misapplied, especially by critics who do not hesitate to apply it to Turner, the greatest creator of mysterious effect in the world of art. — Claude Debussy B. James, Ravel: […]
The status of classical music in Australia
“I would like to see the emphasis in teaching shift from the performer to the three elements necessary for satisfying music-making: the composer/ improviser, audience and player. I would also like to see the intelligent, inspired exploration of the question of interpretation – in Indian classical music, for instance, it is the opening up of […]
Gramophone: no substitute for live performance
British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]