Harmann on orchestration“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” – Bernard Hermann on orchestration. Hall, Roger L., A Guide to Film Music, p. 43. Cited at Wikipedia.
Here I Am, Lord – Psalm 39 (40)Title: Here I Am, Lord Text: Psalm 39 (40): 2, 4, 7-1. R. vv.8-9 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:
Eugène Ysaÿe: Violin Sonata No. 4Eugène Ysaÿe (1858-1931) was a Belgian violinist, conductor and composer. Carl Flesch described him has “the most outstanding and individual violinist I have ever heard in my life.” Franck’s Violin Sonata, Chausson’s Poem and violin concerto, and Debussy’s string quartets were all dedicated to Ysaÿe. Ysaÿe wrote six sonatas for solo violin, each dedicated to […]
Rachmaninoff and colourA student of Rachmaninoff, Ruth Slenczynska: was practising one of Rachmaninov’s preludes when he asked her to join him at the window. It was springtime in Paris, and the avenues were lined with mimosa trees laden with fluffy, golden blossoms. “He said: ‘You see that? That’s what you want to bring to your sound – […]
A new overture – fastBeethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]
To be a good playerBach was once complemented on his organ playing: “There is nothing remarkable about it. All one has to do is hit the right notes at the right time, and the instrument plays itself.” Quoted by Johann Friedrich Köhler, Leipzig, after 1776. Hans-Joachim Schulze, ed. Dokumente zum Nachwirken Johann Sebastian Bachs, 1750-1800. Bach-Dokumente, III. 1972, no. […]
The importance of melodyI have never questioned the importance of melody. I love melody, and I regard it as the most important element in music. I have worked on the improvement of its quality in my compositions for many years. To find a melody instantly understandable even to the uninitiated listener, and at the same time an original […]
Impromptu (Sibelius)Title: Impromptu (Op. 97, no.5) Composer: Jean Sibelius (arr. Greg Smith) Instrumentation: Trombone and piano Product medium: PDF score and part
Mozart: the myth versus the manWe often focus too much on the myth of Mozart, the myth of the prodigy and the myth of the genius – but as he writes in some of his letters, he often feels totally misunderstood and that people don’t give him credit for all the tireless work which he does. In one letter he […]
Fantasia on Ding Dong Merrily on HighComposer: Greg Smith (based on a 16th-century French melody)Title: Fantasia on Ding Dong Merrily on HighInstrumentation: Cello and piano Available from Sheet Music Direct and Sheet Music Plus. SAMPLES: