“You see behind me a symphony orchestra.  Every single one of the instruments has an entirely different background and history; they come from different places …; they’ve had different developments; they sound different… And so, the next time your soul sings, assailed with some sort of horrid indication that people can’t get along together, please […]

Composer: Johannes Brahms Text: Klaus Groth Title: Wie melodien zieht es mir (Like melodies it pulls me), op. 105, no. 1 Instrumentation: Cello and piano Product medium: PDF score and part Sample:  

Rachmaninoff played his Third Concerto in January 1909 in New York, conducted by Gustav Mahler. Rachmaninoff recalled the rehearsal: Suddenly, Mahler, who had conducted this passage a tempo, tapped his desk: “Stop!  Don’t pay any attention to the difficult bowing marked in your parts. … Play the passage like this,” and he indicated a different […]

Burnett James describes how in the 1920s Ravel was preoccupied with decorating "Le Belvédère" [his house] and in laying out the garden with many small exotic plants and miniature Japanese trees. To see that house and garden today is to experience a feeling of direct contact with Ravel. He deliberately made it an accurate reflection […]

I believe one shouldn’t be too comfortable when listening to really great music.  To appreciate good music, one must be mentally alert, and emotionally receptive.  You can’t be that when you are sitting at home with your feet on a chair. No, listening to  music is more strenuous than that.  Music is like the poetry;  […]

Title: Widerstehe doch der Sünde (from Cantata BWV 54)Composer: Johann Sebastian BachArranger: Greg SmithInstrumentation: PianoProduct medium: PDF score Sample:

“Failure to prepare is preparing to fail.” — John Wooden, American basketball player. Wooden, John (1988) Modern Practical Basketball.  Macmillan, p.234

Title: The Blue Danube (op. 314) Composer: Johann Strauss Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part (32 pages) Sample:

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]

I. Prélude II. Menuet III. Claire de Lune IV. Passepied The term “bergamasque” refers to the ancient city of Bergame, located forty kilometres east of Milan. The character of its citizens (“rustic and clumsy”) was personified by a series of dances and the Italian comic character Harlequin (1572). This comic character is evident particularly in […]