Your Ways, O Lord, are Love and Truth – Psalm 24 (25)TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE:
One way to get a doctorateRobert Schumann aspired to be awarded a doctorate degree. On January 31 1840, Robert Schumann asked a friend to appeal to the University of Jena to give him an honorary degree, or set him a degree to pass, on the grounds of: “My sphere of action as an editor on a high-class paper, which has […]
Widmann on BrahmsWidmann, a Swiss poet, describes Brahms’ performing at the piano: The broad leonine chest, the Herculean shoulders, the mighty head which the player sometimes threw back with an energetic jerk, the pensive, handsome brow that seemed to radiate an inner illumination, and the Germanic eyes which scintillated with a wondrous fire between their fair lashes […]
Reich on the accessibility of his musicAmerican composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]
Intermezzo, op. 118, no. 2 (Brahms)Title: Intermezzo, op. 118, no. 2Composer: Johannes BrahmsArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part
No art is equal to music“I firmly believe, nor am I ashamed to assert, that next to theology no art is equal to music; for it is the only one, except theology, which is able to give a quiet and happy mind. This is manifestly proved by the fact that the devil, the author of depressing care and distressing disturbances, […]
Bacall on imagination“Imagination is the highest kite one can fly.” – Lauren Bacall, American actress Cited at: QuotationsBook
The art of playing the triangleGeorge Plimpton, a writer and sportsman, asked if he could play in the New York Philharmonic for a month to write about the workings of an orchestra. Leonard Bernstein assigned him to the percussion section. The principal percussionist, Walter Rosenberg, recalled his experience: During rehearsals I would lean over and point to where we were […]
