Title: One Week (silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 score (22:24) BACKGROUND: Film: Directors: Edward F. Cline & Buster Keaton Starring: Buster Keaton, Joe Roberts, Sybil Seely Date of release: 1920 Synopsis: A newly wed couple receive a generous gift of a house of their own. There’s […]

“Beauty will save the world.” – The Idiot, Fyodor Dostoyevsky

“That’s what I find wonderful about music: there is always a secret left, pieces don’t belong to performers, you rent them!” – Joseph Moog, Pianist W. Boon, “Joseph Moog”, Pianistique, 5 November 2016, https://www.pianistique.com/home/english-interviews/15-interviews/75-joseph-moog, accessed 17 January 2022.

Mozart described the importance of good operatic texts in a letter regarding The Abduction from the Seraglio (Die Entführung aus dem Serail) in a letter to his father in 1781: …the Poesie is totally in tune with the character if this stupid, coarse, and malicious Osmin [the servant character] – and I am well aware […]

“If I have been of service, if I have glimpsed more of the nature and essence of ultimate good, if I am inspired to reach wider horizons of thought and action, if I am at peace with myself, it has been a successful day.” Alex Noble, cited at Brainy Quote  

Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]

“Bartók’s music as a whole is a music I never think about when its not around.  It’s impeccable, it’s theatrical, it’s even great.  It dazzles, thrills, horrifies, sometimes irritates, but also moves me.  But I’m not touched by it, as by, for instance, the outset of the quartet by Ravel – Ravel, supposed to be […]

“By and large, though, there are few, if any, bad side effects of music, and music can often work where no medication can.” – Oliver Sacks Cited in: Inge Kjemtrup, “The power of music therapy”, Pianist, Issue 59, April-May 2011. Warners Group Publications, p.66.

The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]

Title: Through a Looking Glass Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger position) Product medium: PDF score and MP3 accompaniment track (Audio sample of accompaniment track only