Julius Asal on the exploring darker emotions

When I was younger I read a lot of Kafka and Büchner: I’ve always been drawn to the darker side of things, and I think that part of the beauty of what we do as artists is to dare other people to explore it too. I wish the listener to invest something. Showing up to a recital isn’t like going to a gala celebration where there’s a firework-display at the end and you get a big hug. There’s no hug, not every time. Instead, there might be a big question which remains unanswered…

Julius Asal, pianist. Cited in: K. Cooper, “Julius Asal on Scarlatti and Scriabin”, Presto Music, 23 May 2024, https://www.prestomusic.com/classical/articles/5917–interview-julius-asal-on-scarlatti-and-scriabin, (accessed 25 April 2025).


Posted

in

by


Featured Content

Claude Debussy: Rêverie
Fromont published Rêverie years after Debussy had given it to them. By this time, Debussy’s opinion of it had changed: “I regret very much your decision to publish Rêverie… I wrote it in a hurry years ago, purely for material considerations. It is a work of no consequence and I frankly consider it no good.” […]
Improvising a fugue
On 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily).  Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute.  One evening, just as […]
The code of honor in great art
“In higher art, only that is worth being presented which has never before been presented.  There is no great work of art which does not convey a new message to humanity; there is no great artist who fails in this respect.  This is the code of honor of all the great art, and consequently in […]
Composition
GREG SMITH Composer, arranger, and pianist Greg Smith is an Australian composer and pianist based in New South Wales.  Greg majored in piano and composition at The University of Newcastle, completing a Bachelor of Music with first-class honours with a university medal in 2001.  He completed a Master of Creative Arts in piano performance, studying […]
Who is the King of Glory – Psalm 23 (24)
Title: Who is the king of glory? Text: Psalm 24 (23): 7-10. R. v.8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Rehearsal conditions must be suitable
Strengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim to artistic fame, Stokowski tried once again to convince the board that first-class musical results were impossible unless the orchestra rehearsed exactly where they performed.  The men engrossed in the financial problems of balancing budgets […]
Trombone and piano
Is it worth writing?
“Never compose anything unless the not composing of it becomes a positive nuisance to you.” Gustav Holst Cited in: Classic FM, May 2011
Music education helps to encourage empathy
“In an age when many children experience music alone on iPods and computers, especially students at the upper elementary level, the research underscores the value of face-to-face musical interactions. “The Rabinowitch work [at Cambridge University] helps reinforce the intuitive notion that engagement in music is beneficial in terms of ethos, pathos, and logos,” said Jonathan […]
Beethoven’s duet
Beethoven was premiering his piano duet, March (op. 45) with duet partner Ferdinand Ries.  When a young count spoke loudly to a lady friend in the room next door, Beethoven jumped up and shouted “I will not play for such swine.” Source: Arganbright, Nancy (2007) “The Piano Duet: A medium for Today”, The American Music […]