Julius Asal on the exploring darker emotions

When I was younger I read a lot of Kafka and Büchner: I’ve always been drawn to the darker side of things, and I think that part of the beauty of what we do as artists is to dare other people to explore it too. I wish the listener to invest something. Showing up to a recital isn’t like going to a gala celebration where there’s a firework-display at the end and you get a big hug. There’s no hug, not every time. Instead, there might be a big question which remains unanswered…

Julius Asal, pianist. Cited in: K. Cooper, “Julius Asal on Scarlatti and Scriabin”, Presto Music, 23 May 2024, https://www.prestomusic.com/classical/articles/5917–interview-julius-asal-on-scarlatti-and-scriabin, (accessed 25 April 2025).


Posted

in

by


Featured Content

Brian Wilson to complete Gershwin songs
In a surprise union of two quintessentially American composers from different eras, one the 1960s mastermind of “Good Vibrations,” the other the Jazz Age creator of “Rhapsody in Blue,” former Beach Boy Brian Wilson has been authorized by the estate of George Gershwin to complete unfinished songs Gershwin left behind when he died in 1937. […]
Hope
“Hope is the dream of a soul awake.”— French proverb. R. A. Krieger, Civilization’s Quotations: Life’s Ideal, New York, Algora Publishing, 2002, p.151. 
Autumn Leaves
Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
What an artist can do for another
The best and only thing that one artist can do for another is to serve as an example and an inspiration. – Steven Pressfield S. Pressfield, The War of Art: Break Through the Blocks and Win Your Inner Creative Battles, New York, Black Irish Entertainment, 2002, p.18
Elgar’s football team
Elgar loved his football, particularly the Wolverhampton team.  His friend Dorebella recalled the first match he attended at Wolverhampton: It all delighted him. The dense crowd flowing down the road like a river; the roar of welcome as the rival teams came on to the ground; the shouts of men calling to their player friends […]
Forgive (Tchaikovsky)
Title: Forgive ( Прости!) (opus 60, no. 11] Composer: Pytor Il'yich Tchaikovsky (arr. Greg Smith) Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Figaro and an egg
“I always have a hard-boiled egg. A three-minute egg. Do you know how I time it? I bring it to the boil and then conduct the overture to The Marriage of Figaro. Three minutes exactly.” Sir John Barrirolli Cited in: The Music Lover’s Quotation Book. Ed. Kathleen Kimball, Robin Peterson & Kathleen Johnston. Toronto (Canada): […]
Stokowski rebukes
The conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice.  On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.”  To the first violist, […]
Gershwin: the life at the party
Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.
Paul Simon on music today
Paul Simon (of Simon and Garfunkel) on the future of the “album” concept: I don’t think the album is going to disappear for several reasons … It’s not that people aren’t listening to albums.  They’re just doing it on shuffle.  What that does is it makes albums more eclectic and more interesting.  But if an […]