The best of every man

“I have believed the best of every man. And find that to believe is enough to make a bad man show him at his best, or even a good man swings his lantern higher.”

– William Yeats, Deirdre


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The importance of music in pantomime
“In pantomime every single episode, each movement in each episode (its plastic modulations)—as well as the gestures of every character and the groupings of the ensemble—are determined precisely by the music, by its changes in tempo, its modulations, its overall structure. In pantomime the rhythm of the movements, gestures, and groupings synchronized precisely with the […]
Autumn Leaves
Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
String ensemble
You can’t own the tuning
This account of a bizarre law suite on May 6 at Bow St. against the Associated Board of Musical Examinations appeared in the English journal The Musical Times (June 1932).  The board was accused of obtaining money under false pretences: Mr. Lennox Atkins, F.R.C.O., asked on behalf of the Equal Temperament Committee for a process […]
Perseverance
“Edison failed 10, 000 times before he made the electric light. Do not be discouraged if you fail a few times.” – Napoleon Hill, American author
What we play
“What we play is life.” Louis Armstrong, Jazz musician Cited at: Satchmo, “Louis Armstrong Quotes and Tributes.” https://www.satchmo.com/louisarmstrong/quotes.html, accessed 6 September 2021.
The soloist will get his way
Pianist Freddy Kempf on the recording process: Solo recording is the most indulgent type … it’s 90 per cent down to me. The producer can shout at me all he likes, but if I am set on doing it my way, there’s few people who can stop me! – Freddy Kempf, in an interview with […]
Where to curse the orchestra
The following is an account of the conductor Hans von Bülow: Bülow’s close relationship with his Berlin audience was not achieved without some stress and strain along the way.  At a Philharmonic concert in January 1892, a half-dozen latecomers, who had been held up at the cloakroom during the intermission, made a noisy entrance in […]
The tone of the piano at the turn of the nineteenth century
In 1796, the piano maker Johann Andreas Streicher sent Beethoven one of his pianos as a gift.  Beethoven's reply sheds some interesting light on the tone of the piano at this time: There is no doubt that so far as the manner of playing is concerned, the pianoforte is still the least studied and developed […]
Gymnopedies No. 1 (Satie)
Title: Gymnopedies No. 1 Composer: Eric Satie Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample: