"I would rather write 10,000 notes than one letter of the alphabet."' Beethoven.  Letter, 28 November 1820.  Cited in: Kelly, Henry & Foley, John (1998) Classic FM: Musical Anecdotes.  London: Hodder & Stouhgtan, p.68.

“Opera in English, is about as sensible as baseball in Italian.” – H. L. Mencken, twentieth century American journalist, critic, and satirist. Peter, Lawrence J. (ed) (1977) Quotations for Our Time

Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, […]

It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don’t happen. They must be constructed…. To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the […]

Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his hips, his eyes and whatnot.  Nothing but a sense of propriety keeps him from leaping over the footlights and getting right into the show himself. Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon […]

We often focus too much on the myth of Mozart, the myth of the prodigy and the myth of the genius – but as he writes in some of his letters, he often feels totally misunderstood and that people don’t give him credit for all the tireless work which he does. In one letter he […]

While writing the lyrics to songs in Beauty and the Beast, Howard Ashman’s health was deteriorating. The composer, Alan Menken, recalls: By a certain point, he wasn’t well enough to travel. Once Disney knew, they brought a lot of the production over to the east coast; he made it through all the last recording sessions. […]

One fearful winter’s day in Vienna, in 1794, the snow standing deep and still falling fast, the traffic almost entirely suspended in the streets, Countess Teresa Brunswick, then a girl of fifteen, was waiting for Beethoven’s arrival, to give her her pianoforte lesson. Weather never stopped him; but when he appeared it was obvious that […]

Title: Ode II Composer: Greg Smith Instrumentation: Greg Smith Product medium: PDF score      Related products:     – Ode II (mp3) SAMPLE:

Sergey Prokofiev was once evicted from his apartment for playing the same chord 218 times.  A tally was kept by the downstairs tenant. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.69.