While writing the lyrics to songs in Beauty and the Beast, Howard Ashman’s health was deteriorating. The composer, Alan Menken, recalls: By a certain point, he wasn’t well enough to travel. Once Disney knew, they brought a lot of the production over to the east coast; he made it through all the last recording sessions. […]

Leopold Stokowski conducted the American premier of Berg’s opera Wozzeck in 1930 (a joint effort of The Philadelphia Orchestra, the Phildelphia Grand Opera, and Curtis Institute).  Abram Chasins recalls a rehearsal: I attended his second rehearsal with the orchestra in the pit and singers on the stage.  After some twenty minutes of singing and acting, […]

Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahms’s Intermezzi and Beethoven’s ‘Waldstein’ Sonata. His tone is a rule dry in anything above a piano, but a sudden touch of the pedal […]

Like so many Russians, he was a madly keen collector of mushrooms and could indulge his passion freely at Klin; the woods and fields around his house were filled with them.  However, as anyone will know who has taken to the sport, there are mushroom collectors and mushroom collectors; some have the eye for it, […]

Franz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]

At the 1905 premiere of La Mer, one of whose movements is called “From Dawn to Midday on the Sea”, Debussy received the usual post-performance congratulations. Satie’s deflating comment was, “Ah, my dear friend, there’s one particular moment between half past ten and a quarter to eleven that I found especially stunning.” Levison, B. (2015). […]

“We find a world of emotions and ideas created with only the simplest of materials.” – Laurence Lesser, cellist Cited in: Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen & Unwin. p.3.

A recollection of the London Proms in 1936: The behavior of the Promenaders was more genteel in those days … there wasn’t the same degree of shouting as now.  During the famous hornpipe in Henry Wood’s Fantasia on British Sea Songs people tapped with their umbrellas and sticks, rather than stamping.  As the applause went […]

Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, […]

A poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why. Percy Shelley, A Defence of Poetry, 1821