“That’s what I find wonderful about music: there is always a secret left, pieces don’t belong to performers, you rent them!” – Joseph Moog, Pianist W. Boon, “Joseph Moog”, Pianistique, 5 November 2016, https://www.pianistique.com/home/english-interviews/15-interviews/75-joseph-moog, accessed 17 January 2022.

“The difference between the reputation that Bach enjoyed in his lifetime and that which accumulated posthumously is one of the most remarkable phenomena in the history of music.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 65.

“Face the facts of being who you are, for that is what changes what you are.” Søren Kierkegaard, Danish writer. Cited at QuotationsBook  

Title: Abstraction X Composer: Greg Smith Instrumentation: Piano Product medium: PDF scoreRelated products: – Abstraction X (MP3) SAMPLE:

“Do you know why I abandoned all my personal affairs and took up the theater? Because the theater is the most powerful pulpit, more powerful in its influence than books or the press. This pulpit fell into the hands of the rabble of humanity, and they turned it into a place of depravity. … My […]

It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]

Title: Intermezzo, op. 118, no. 2Composer: Johannes BrahmsArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part  

Recordings Scores Brass Brass ensemble Trombone Orchestra/Concert band Concert band Piano Piano solo Piano method Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon

A tiny 18th-century book has turned up in Hay-on-Wye containing the earliest known version of Sweet Molly Malone, almost a century older than Dublin’s unofficial anthem. Maev Kennedy, “Tart with a cart? Older song shows Dublin’s Molly Malone in new light”, The Guardian, 18 July 2010. Click here to view article

“For me, as a creative musician, composition is a daily function that I am compelled to discharge. I compose because I am made for that and cannot do otherwise … I am far from saying that there is no such thing as inspiration; quite the opposite. It is found as a driving force in every […]