Bobby Darin’s 1959 recording of “Mack the Knife” from The Threepenny Opera (Lyrics: Bertolt Brecht; Music: Kurt Weill) not only hit number one on the charts, but was also the first non-R&B pop hit for Atlantic Records and helped establish the label’s future. Source: Creswell, Toby (2005) 1001 Songs: The Great Songs Of All Times. […]

A student of Beethoven’s, Ferdinand Ries, went on a walk with his teacher in the country: Beethoven muttered and howled the whole time, without emitting any definite notes.  When I asked him what he was doing he answered, “A theme for the last allegro of the sonata [the Appassionata] has occurred to me.”  When we […]

Title: The King’s Entrance Composer: Greg Smith Instrumentation: Piano duet Level: Piano I –  1 (five finger position) Product medium: PDF score and MP3 accompaniment track (Audio sample of accompaniment track only)

Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:

Title: Abstraction XVIIComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (October 2023)Product medium: MP3 audio Related products: – Abstraction XVIII (score) Sample:

Mozart’s comments on the musical style of his piano concertos (K. 413-415) portray his underlying aesthetic principle that music should be clear and accessible: I still have 2 concertos to write to complete my subscription concerts. – These concertos are a happy medium between what’s too difficult and too easy – they are Brilliant – […]

“I have believed the best of every man. And find that to believe is enough to make a bad man show him at his best, or even a good man swings his lantern higher.” – William Yeats, Deirdre

One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]

In 1777, Mozart was having lunch with his uncle at the Holy Cross Convent in Ausburg. Mozart played a sinfoni and Vanhall’s Violin Concerto in B. In the evening, at supper, he performed his Strasbourg concerto, a keyboard prelude and his Fischer Variations (K179). It was suggested to the deacon of the Holy Cross Conen, […]

“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.