in 1862, Brahms called to see Julius Epstein, a professor at the Vienna Conservatory. “Joachim tells me – ha! – that you have written some really interesting music. Sent me your piano sonata in F minor to look over. Bring any new compositions with you?” he added, noticing Johanne’s portfolio. “I have two piano quartets […]

Life is made up of little things. It is very rarely that an occasion is offered for doing a great deal at once. True greatness consists in being great in little things. – Charles Simmons (1852) A Laconic Manual and Brief Remarker: Containing Over a Thousand Subjects.  North Wrentham: Charles Simmons, p. 315.  Digitally archived […]

In the ninteenth century, the piano was not only regarded as a musical instrument but as a part of the decor a room. An article in The Musical Times in February 1893 describes some possible applications: Placed near a bay window, it shuts in the cosiest lovers’ next imaginable. Soft-cushioned window seats that have room […]

Having spent five days recording five Beethoven sonatas and two concertos, Schnabel wrote to his wife: This week was an ordeal, a torture chamber. “What does not kill me makes me stronger,” says Nietzsche. Hopefully (probably) this is true. I had no idea of how outrageous a process the recording on discs could be. Like […]

American composer John Bratton wrote the music for “Teddy Bear’s Picnic” in 1907. It was first published by M. Witmark & Sons as a piano work titled “The Teddy Bears Picnic. Characteristic Two Step”. Irishman Jimmy Kennedy added the lyrics in 1932. Dance Band leader Henry Hall hosted a radio program on the BBC which […]

Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]

“Those around me refuse to accept that I could never live in the everyday world of things and people.  Hence the irrepressible need to have to escape from myself, and go off on adventures which seem inexplicable because no one knows who this man is – yet maybe he’s the best part of me!  Anyway, […]

The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played.  He could transpose into any key with the greatest of ease.  He had total command of what he was doing.  Musical surprises, unusual changes of keys.  He was one of the few composers who had […]

I believe one shouldn’t be too comfortable when listening to really great music.  To appreciate good music, one must be mentally alert, and emotionally receptive.  You can’t be that when you are sitting at home with your feet on a chair. No, listening to  music is more strenuous than that.  Music is like the poetry;  […]

“Melody is the essence of music”, continued he; “I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone, and remember the old Italian proverb – ‘Chi sa piu, meno sa – Who knows most, knows least’.” The Reminiscences of Michael Kelly, 1826. Cited in: Marshal, […]