Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]

In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.

Isaac Goldberg, a friend of George Gershwin, described the composer’s personality: HE was as simple, as unaffected, as modest, and as charming a youth as one could desire to meet. There was nothing about him that was forbidding. He wore his unprecedented celebrity as lightly as if it were a cane – that cane which […]

Title: Lullaby for Berkeley Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger hand position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)

When Mozart was in Naples, he so impressed his audience that they suspected “musical sorcery”. They ordered him to play without wearing his ring, the apparent source of his “magic”. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William Kimber, p.20.

Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages […]

Mozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail).  The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria.  I think it will prove […]

Title: The precepts of the Lord give joy to my heart Text: Psalm 18 (19): 8-11. R. c. Jn 6:68 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:    

When Brahms was young, he had to play in rowdy taverns to help support his family. Dance music was what the people in the taverns wanted, and Hannes would sometimes relieve the monotony by improvising variations on the popular waltzes of the day.  But what finally made his work endurable was the discovery that while […]

The famous organist Reincken heard Bach play. Bach improvised for half an hour on the hymn “By the Waters of Babylon”.  Reincken said: “I thought such art was dead, but I see it still lives in you.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 58.