Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: PDF score     Related products:     – Love came down at Christmas – SATB and piano     – Love came down at Christmas – Piano solo (MP3) hase_link id=”1673″ text=”Purchase” style=”button” color=”blue”] Samples:

Title: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:

Title: “October” from The Seasons, op. 37 bis Composer: Pytor Illich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:

Education & research services in the fields below are offered both: – online – face to face Skill areas: – Aural and harmony – Analysis – Music history – Piano tuition How can Emotemuse help you? – Tuition – Research and analysis Contact   THE CRAFT OF THE MUSICAL LANGUAGE Greg Smith completed a Bachelor […]

One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]

An undiscovered piano piece by Brahms (entitled Albumblatt, meaning “sheet music from an album”) has been discovered by Christopher Hogwood at Princeton University. The tune reappears in second movement of Brahms’ Horn Trio, written 12 years later. Alex Needham, “Brahms piano piece to get its premiere 159 years after its creation”, The Guardian, 13 January […]

Title: Abstraction VIII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

Title: Lord, send out your spirit Text: Psalm 103 (104):1. 24. 29-31. 34. R.v.30 Composer: Greg Smith Instrumentation: SA and piano Product medium: PDF score and part Sample:

Strengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim to artistic fame, Stokowski tried once again to convince the board that first-class musical results were impossible unless the orchestra rehearsed exactly where they performed.  The men engrossed in the financial problems of balancing budgets […]

For generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]