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When he [Beethoven] came to Vienna, he knew nothing at all of the fine art of cooking.  He cared little about good food, his favorite dish being a mess of macaroni with plenty of cheese on top.  He liked, too, the simplest kind of stew, and fish from the Danube.  Ignaz Seyfried reported that Beethoven […]

“Every man’s work, whether it be literature or music or pictures or architecture or anything is always a portrait of himself and the more he tries to conceal himself the more clearly will his character appear in spite of him.” Samuel Butler, The Way of the Flesh  (1903). Forgotten books, p. 60. Cited at Google […]

Once a devoted admirer, wife of a Vienna pianist, longed for a lock of the composer’s outrageously unkempt hair, and asked a friend to get her one. At his suggestion, Beethoven, who was a practical joker of boorish capabilities, sent her a tuft from the chin of a goat. The trick was discovered, and the […]

“When teaching, light a fire, don’t fill a bucket.” – Dan Snow, television presenter. Cited at QuotationsBook  

The first soundtrack to be commercially released was Disney’s 1938 film Snow White and the Seven Dwarfs. The songs were written by Frank Churchill (music) and Lary Morey (lyrics). The score was written by Churchill and Leigh Harline, with some additional music by Paul Smith. Although Churchill and Morey originally wrote 25 songs for the […]

“If you think education is expensive, try ignorance.” Derek Bok, American lawyer and educator Cited at: QuotationsBook

Vaughan Williams studied composition with Dr. Hubert Parry at the Royal College of Music, London. Vaughan Williams recalled: Many … entirely misunderstood Parry; they were deceived by his rubicund bonhomie and imagined that he had the mind, as he had the appearance, of a country squire. The fact is that Parry had a highly nervous […]

Cyril Smith recounts Rachmaninoff’s stage presence: Those who were fortunate enough to hear him play will almost certainly remember this very tall, melancholy figure, with his graying hair in a crew cut and his deeply-lined face set in a somber expression, walking unwillingly to the piano as though he hated the very sight of  it.  […]

To me it’s all about how you read and translate the music you play: the most important thing is to reach the point where you feel you understand what happened in the composer’s mind before he actually wrote it. Musical notation is a very sophisticated yet imperfect system; it was the only way for the […]

“Writing music is seventy-five per cent an intellectual activity.  This effort is often more pleasant for me than having a rest.” Conversation with Ravel, recalled by Robert de Fragny, Echo liberté, 7 November 1950. Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.