“Every man’s work, whether it be literature or music or pictures or architecture or anything is always a portrait of himself and the more he tries to conceal himself the more clearly will his character appear in spite of him.” Samuel Butler, The Way of the Flesh  (1903). Forgotten books, p. 60. Cited at Google […]

Robert Schumann aspired to be awarded a doctorate degree. On January 31 1840, Robert Schumann asked a friend to appeal to the University of Jena to give him an honorary degree, or set him a degree to pass, on the grounds of: “My sphere of action as an editor on a high-class paper, which has […]

“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” – Bernard Hermann on orchestration. Hall, Roger L., A Guide to Film Music, p. 43.  Cited at Wikipedia.

Title: Advance Australia FairComposer: Peter Dodds McCormickArranger: Greg SmithInstrumentation: SATB and pianoProduct medium: PDF score and part Available from:Sheet Music Direct

Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahms’s Intermezzi and Beethoven’s ‘Waldstein’ Sonata. His tone is a rule dry in anything above a piano, but a sudden touch of the pedal […]

Overheard in a New York street car:— Average Young Man (to neighbour): “Everything they say about Paderewski is true. He’s a perfect genius. Why, he played fourteen pieces and did not once look at the programme. Yet he played straight ahead and never once forgot what piece was to come next. I tell you the […]

Title: The Rink (Silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 soundtrack     Related products:     – The Rink – PDF score TRACK LISTING AND SAMPLES: TRACK TITLE LENGTH SAMPLE 1. Papa and Edna 0:55 2. Lunch order 2:03 3. Cocktails 1:34 4. Kitchen scurry 0:25 5. The flirty Mr and […]

“In an age when many children experience music alone on iPods and computers, especially students at the upper elementary level, the research underscores the value of face-to-face musical interactions. “The Rabinowitch work [at Cambridge University] helps reinforce the intuitive notion that engagement in music is beneficial in terms of ethos, pathos, and logos,” said Jonathan […]

“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” – John Cage Cited in: Richard Kostelantez. Conversing with Cage (New York : Limelight Editions, 1988).

Language is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.