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Alexander Gow, musician in the band Oh Mercy on spontaneity of artistic creation: [Spontaneity is] when art is expression, and that’s what I’m interested in. If, like you said, there’s a spontaneity to it and it’s an extension of a certain kind of moment or feeling, and if you’re clever enough to express that through […]

Title: “Dance of the Knights” from Romeo and Juliet (op. 64)Composer: Sergei ProkofievArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part This item is available at Sheet Music Direct and Sheet Music Plus. Sample:  

The violinist Ivan Galamian describes the musician’s quest for a goal greater than mere technical accomplishment: A complete technique .. implies the ability to do justice, with unfailing reliability and control, to each and every demand of the most refined musical imagination.  It enables the performer, when he has formed an ideal concept of how […]

American composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]

“There is no failure except in no longer trying.” – Elbert Hubbard, American author, artist, and philosopher

Beethoven once gave a performance of a new piano concerto in which he forgot he was the soloist and began to conduct instead.  At the first sforzando he threw out his arms so vehemently that he knocked both candlesticks off the piano.  The audience burst out laughing, which enraged Beethoven.  He made the orchestra start […]

“Creative people, as I see them, are distinguished by the fact that they can live with anxiety, even though a high price may be paid in terms of insecurity, sensitivity, and defenselessness for the gift of the “divine madness,” to borrow the term used by the classical Greeks. They do not run away from non-being, […]

“A writer is unfair to himself when he is unable to be hard on himself.”— Marianne Moore, American poet Donoghue, Denis (1988) Reading America.  University of California Press, p. 244

In 1853, Brahms went on a tour of German cities with the Hungarian violinist Eduard Reményi.  In the town of Celle, they were scheduled to play Beethoven’s Sonata in c minor (op. 30, no. 2): but it was found that the piano in the hall was tuned a half tone too low.  Reményi refused to […]