Schubert’s report card in in the Music of the Court Chapel Choir-Boys in the I. & R. Seminary, 1st term, 1809: Name Morals Studies Singing Pianoforte Violin Remarks Schubert Franz v. good good v. good good v. good A musical talent Report card for the Scholars of the First Grammar Class at the University Preparatory […]

Title: Lullaby for Edward Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (audio sample of accompaniment track only)

“That’s what I find wonderful about music: there is always a secret left, pieces don’t belong to performers, you rent them!” – Joseph Moog, Pianist W. Boon, “Joseph Moog”, Pianistique, 5 November 2016, https://www.pianistique.com/home/english-interviews/15-interviews/75-joseph-moog, accessed 17 January 2022.

Like so many Russians, he was a madly keen collector of mushrooms and could indulge his passion freely at Klin; the woods and fields around his house were filled with them.  However, as anyone will know who has taken to the sport, there are mushroom collectors and mushroom collectors; some have the eye for it, […]

In a lecture in 1928 in Houston, Texas, Ravel described the differences between Debussy and his approach to composition: For Debussy the musician and the man I have had profound admiration, but by nature I am different from him. Although he may not be quite a stranger from my own personal heritage, I would at […]

For me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human […]

“‘Culture is our petrol,’ says Toumani Diabaté, the Malian kora player who has collaborated with Damon Albarn and Björk, to name but a few. ‘Music is our mineral wealth. There isn’t a single major music prize in the world today that hasn’t been won by a Malian artist.’ ‘Music regulates the life of every Malian’, […]

The Eighteenth Weimar Classicists’ (e.g., Goethe, Shiller) conception of art expanded past the arts themselves, but also embraced all elements of society.  John Armstrong states: The aim of art is to ennoble us, to make us whole and balanced; then we can engage maturely and sensibly  in political processes.  The aim of their “classical art” […]

If a man teaches composition in a university, how can he not be a composer? He has worked hard, learned his craft. Ergo, he is a composer. A professional. Like a doctor. But there is that doctor who opens you up, does exactly the right thing, closes you up—and you die. He failed to take […]

Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages […]