The practice of wearing white gloves whilst conducting was common in the nineteenth century. The Musical times reported in July 1884 that: “A German conductor,” we are told, “in order that the public may be more deeply impressed with the feeling of grief intended to be produced by the Funeral March in Beethoven’s ‘Eroica Symphony,’ wears […]

The relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]

Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, […]

Stokowski’s ability to inspire musicians was sometimes balanced by the ability to turn them off.  Saidenberg altered me to a remarkable violinist who quit the Philadelphia Orchestra and went on to become America’s greatest authority on constitutional law.  “Raoul Berger was a wonderful violinist in the Philadelphia Orchestra.  One day at rehearsal, Stoki stopped the […]

“The highest result of education is tolerance.” – Helen Keller, Optimism (1903)

Title: Forever I will sing the goodness of the Lord (Setting I) Text: Psalm 88 (89) Composer: Greg Smith Instrumentation: SATB and organ     Related products:     – Forever I will sing the goodness of the Lord (SATB, brass, and organ) Product medium: PDF score and parts SAMPLE:

“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.

I have often made the point in masterclasses that students should not listen to lots of recordings of a piece they are learning. I’m always a little horrified when I hear a student say, “My teacher told me to learn the Chopin G minor Ballade, so I went to the library and took out eight […]

Chopin is the greatest of them all, for through the piano alone he discovered everything. — Claude Debussy P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 40.