I do not choose my listeners“I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will […]
Reich on modernism and tonalityAmerican composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]
Understanding the rules“We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination.” — David Lynch
Out of practice“All I have left is a long nose and a fourth finger out of practice.” Chopin, in Scotland, unable to visit his friend Julian in London because of ill health. Cited in: Zaluski, Iweo & Pamela (1993) The Scottish Autumn of Frederick Chopin. Edinburgh: John Donald Publishers, p.23.
Tears in artIn art there are tears that do often lie too deep for thoughts. – Louis Kronenberger L. Kronenberger, Company Manners: A Cultural Inquiry into American Life, Indianapolis, Bobbs-Merrill, 1954, p. 42.
Beethoven on music“Music is the mediator between the spiritual and the sensual life. Although the spirit be not master of that which it creates through music, yet it is blessed in this creation, which, like every creation of art, is mightier than the artist. — Beethoven Edwards, Tyron (1891) A Dictionary of Thoughts. New York: Cassell Publishing […]
Menken on the the strength of music“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]
Gershwin’s romantic sideRodney Greenberg describes a side of George Gershwin’s “romantic side”: He wrote a little waltz-song, which he would sing and play to his current dating partner. It was, in effect, what his friend Kitty Carlisle (who later married playwright Moss Hart) described as his “mating call”, because he left a blank space in the lyrics […]
Somewhere Over the Rainbow“Somewhere Over the Rainbow”, from The Wizard of Oz, is now a classic, inspiring song, but its had to believe the beginnings were not so smooth: …it was decided that standard melodies of a popular accessible kind , without gimmicks, would best suit the story, and its star [Judy Garland]. Harold Arlen and E. Y. […]
I am not highbrowAfter writing his opera Porgy and Bess, producers in Hollywood started to think that Gerswhin was turning “highbrow”. George and Ira Gerswhin’s agent told Ira :”They think George is too highbrow. Can’t he write a few words and explain to them?” George wired: “Rumours about highbrow music ridiculous. Am out to write hits.” – George […]
