Practising at every opportunityThe conductor Stokowski was co-conductor of the San Francisco Symphony Orchestra. He was rehearsing his own orchestration of Mussorgsky’s Pictures at an Exhibition. The orchestra, however, was used to playing Ravel’s exuberant orchestration. Charles O’Connell recalled: “In the midst of the rehearsal, one of the second violinists busied himself practising the Mendelssohn Violin Concerto, which […]
A musical use for trashFavio Chávez, a technician at a Paraguayan landfill site, formed the the Cateura Orchestra of Recycled Instruments: an orchestra comprising of the children of landfill works. The orchestra was designed to encourage musical education in an low socio-economic area. A violin would hold more value than a landfill worker’s house. However, by creating instruments out […]
The essential part of creativity“The essential part of creativity is not being afraid to fail.” Edwin Land, American scientist and inventor.
Stokowski rebukesThe conductor Stowkoski was always in complete control of his orchestra: He never lost his tempoer with the orchestra, never raised his voice. On the contary, he would lower his voice for a subtle rebuke or a sarcastic comment. Schwar recalled Stokowski saying, “Second clarinet, don’t play notes – sing them.” To the first violist, […]
Gershwin’s playing (and sense of humour)The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played. He could transpose into any key with the greatest of ease. He had total command of what he was doing. Musical surprises, unusual changes of keys. He was one of the few composers who had […]
Hoyt Curtain’s compositional processHoyt Curtin (1922-2000) was the primary composer for the Hanna Barbara studios. Popular theme songs he composed include The Flintstones, Top Cat, The Jetsons, Johnny Quest, Superfriends, Josie and the Pussycats, The New Scooby-Doo Movies, and The Smurfs. Of these, his favourite was The Flintsones, “I guess because it is a kick to hear musicians […]
Reich on modernism and tonalityAmerican composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]
Schoenberg’s composition classAn account of Arnold Schoenberg teaching a composition class: Well, first of all there was composition class, in which he analyzed in brief the first sections of several Schubert sonatas. How he adores Schubert! “Many people say,” he remarked, “that Schubert is too long. He is long-yes-but for me he is always too short!” Such […]
The source of inspirationFor me, inspiration comes from a bunch of places: desperation, deadlines… A lot of times ideas will turn up when you’re doing something else. And, most of all, ideas come from confluence — they come from two things flowing together. They come, essentially, from daydreaming. . . . And I suspect that’s something every human […]
Composing for elephantsIgor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]