Title: The Adventurer (Silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – The Adventurer (MP3 recording) BACKGROUND: FILM: Written by: Vincent Bryan, Charlie Chaplin & Maverick Terrell Starring: Charlie Chaplin, Edna Purviance, Eric Campbell Director: Charlie Chaplin Year of release: 1917 SAMPLES:

“The more you like yourself, the less you are like anyone else, which makes you unique.” — Walt Disney L. Howes, “20 Lessons from Walt Disney on Entrepreneurship, Innovation and Chasing Your Dreams”, Forbes, 17 July 2012, https://www.forbes.com/sites/lewishowes/2012/07/17/20-business-quotes-and-lessons-from-walt-disney/?sh=4b3af9d44ba9, accessed 13 January 2022.

“Good music is very close to primitive language.” Denis Diderot (Elements of Physiology, 1875)

Handel certainly liked to eat: A story is told of him that he once ordered up enough dinner for three. Noting that the servant dawdled about, Handel demanded why; the servant answered that he was waiting for the company to come, whereupon Handel stormed, in his famous broken English, “Den print up der tinner prestissimo. […]

On the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]

We arrived here safely yesterday morning at 9 o’clock. – We spent the first night at Vögelbruck; – on the following morning we reached Lambbach – just in time for me to accompany the Agnus Dei on the organ during the mass. – The prelate was most delighted to see me again … We stayed […]

“Blessed are the weird people–poets, misfits, writers, mystics…painters & troubadours–for they teach us to see the world through different eyes.” — Jacob Nordby Jacob Nordby (2016) Blessed are the Wierd: A Manefesto for Creatives, Boise: Manifesto, Publishing House, p.8.

In the early 18th century, the standard of Italian opera performances had become somewhat questionable. In 1720, The satirical writer Marcello offered some advice to those involved in opera performance: [The opera performer] will hurry or slow down the pace of an aria, according to the caprice of the singers, and will conceal the displeasure […]

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…He who lies here was possessed. Seeking one goal, caring only for one result, suffering and sacrificing for one purpose, those did this man go through life… If there are some of us who can still feel a sense of total dedication in these fractured times, let us meet at his grave. Has it not […]