Water music

A common theme in the music of French composers at pre world war I was water.  Debussy wrote En bateau (On the Boat), Sirenes (Sirens), Reflets dans l’eau (Reflections in the Water), Voiles (Sails), and La Cathedrale engloutie (The Engulfed Cathedral).  Ravel wrote Jeux d’Eau (The Water Fountain), and Ondine.

So striking a peculiarity of modern music did these ‘water-pieces’ seem to one critic that he announced a lecture on La Musique aquatique. And then . . . Well, as the lecturer began to speak — he was an old man and obliged to hold his paper very near — he was annoyed by clicking and popping sounds. He decided to make a complaint and put down his paper. As he looked down from his dais he saw that each member of his high-spirited audience had put up his umbrella.

Source: Lockspeiser, Edward (1936) Debussy.  London: J. M. Dent and Sons, p.121.

Posted

in

by

Greg

Tags:

, , ,

Featured Content

Encouraging talent
“What greater pleasure is there is life than giving young and beautiful talent a little lift in the direction of the stars though they will never reach them.” Sir Clifford Curzon – English pianist Pianist, No. 59, April-May 2011, Warner Group publications, p.10.
Love Came Down At Christmas (piano)
Title: Love came down at Christmas Text: Christina Rossetti Composer: Greg Smith Instrumentation: Piano solo Product medium: PDF score     Related products:     – Love came down at Christmas – SATB and piano     – Love came down at Christmas – Piano solo (MP3) hase_link id=”1673″ text=”Purchase” style=”button” color=”blue”] Samples:
Pablo Casals’ obligation
“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.
Chopin and counterpoint
With regard to counterpoint in Chopin’s music, you might be interested in the conversation that Chopin had not long before his death with the painter Eugène Delacroix. Delacroix was one of a handful of quite intimate friends of Chopin’s. In his diary, he mentions how he had picked up Chopin in a carriage, and they […]
Appreciating beauty
Music exists only in a passing of time, racing past us like the mid-nineenth-century trains Ruskin so hated. It is utterly non-fixed, and to focus on one moment is to destroy the whole. It is a forest that we have to pass through, not a single tree that we can contemplate or capture. But, if […]
Brahms’ stingy side
Musicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant.  He bought only the cheapest clothes, wore the same […]
Performance anxiety
“There is no anxiety in the present. Anxiety is either in the past, worrying about what was just played, or in the future, worrying about what you are about to play. Nothing can be done about either! Don’t judge or evaluate while you’re performing.” — Charles Schlueter, principal trumpet with the Boston Symphony. Cited in: […]
Art and the strength of the former times
In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]
Bernstein’s television appearances
Bernstein is intent on demonstrating that the inevitable doesn’t just happen. It comes from intense work. To show this, he restores a handful of Beethoven’s discarded sketches to the score so that we can hear how the Fifth would have sounded if Beethoven had retained his first (or second or 10th) thought. Some discarded passages […]
The Blue Danube (Strauss)
Title: The Blue Danube (op. 314) Composer: Johann Strauss Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part (32 pages) Sample: