“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time […]

Despite my respect for Saint-Saëns’ age, what he says about Chopin’s pedalling isn’t entirely true. I have very clear memories of what Mme Mauté de Fleurville told me. He (Chopin) recommended practising without pedal and, in performance, not holding it on except in very rare instances. It was the same way of turning the pedal […]

Beethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]

In his Beethoven: Biography of a Genius, Marek provides an insight into Beethoven as a boy: The boy was looking out of the window, his head cradled in his hands.  His mien was serious, his glance rigid. Cäcilia Fischer came along the courtyard and saw him. “How are you, Ludwig?” she shouted up to him.  […]

In 1893, Tchaikovsky was awarded an honorary doctorate at Cambridge University. Charles Villiers Stanford was involved organising the occasion. He recalled: “In the spring of 1892 we set on foot the organization of the movement to celebrate the Jubilee of the University Musical Society in 1893. The first step taken was the invitation of Verdi […]

Title: Through a Looking Glass Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger position) Product medium: PDF score and MP3 accompaniment track (Audio sample of accompaniment track only

“Technique is not music. Music is the thousandth of a millisecond between one note to the other—that’s where the music is.”  — Isaac Stern, in an interview with Mark Stryker Cited in: Green, Barry (2003) The Mastery of Music: Ten Pathways to True Artistry. New York: Broadway Books, p. 2.

For me, one of the ultimate goals of a performance is to make pieces come across as something new, something unexpected and fresh. As soon as you start working with historical instruments, you are jeopardising this aspect. It is very difficult to get away from that; some performers manage it magically, but I don’t see […]