Reactions to classical musicThe only way to take classical music out of the museum is to stop playing it in a museum. The adventurous cellist Matt Haimovitz said as much recently, when he toured dive bars, pizza parlours, and roadhouse juke joints with the [Bach] Cello Suites. “People were reaction to the music as it was going by,” […]
The beginning and the end“Genius begins great works; labor alone finishes them.” – Joseph Joubert, French writer Joubert, J. (1983) The Notebooks of Joseph Joubert: A Selection. Translated by Paul Auster. San Francisco: North Point Press, p. 76.
Art and humanity“Writing and performing an opera, creating any work of art in a world of violence and ease, hunger and obesity, could seem to be an act of private withdrawal. But art isn’t about itself, it’s about how men relate to the world and each other … Asking artists to keep politics out of art is […]
Big BusinessTitle: Big Business (silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium:MP3 recording (18:16) RELATED PRODUCTS: – PDF score BACKGROUND: Film: Directors: James W. Horne & Leo McCarey Starring: Stan Laurel & Oliver Hardy Year of release: 1929 Synopsis: Two salesmen are trying to sell Christmas trees in california. The customers, […]
What about me?Songwriter Johnny Green recalled Gershwin bragging about his achievements after a concert, eventually to stop and say: “That’s enough about me. Now what did you think about how I played?” Cited in: Greenberg, Rodney (2008) George Gershwin. New York: Phaidon Press, p.46.
Diderot on good music“Good music is very close to primitive language.” Denis Diderot (Elements of Physiology, 1875)
James Levine on Tchaikovsky’s Eugene OneginConductor James Levine on Tchaikovsky’s opera Eugene Onegin: Eugene Onegin is very special, an incredibly successful piece; there is nothing quite like it. The character of Tatyana is so extraordinary. Tchaikovsky absorbed certain things from Pushkin’s original poem, and then composed his own opera, which of course angered some other great Russian artists, like Stanislavsky […]
Mahler’s bowing instructionsRachmaninoff played his Third Concerto in January 1909 in New York, conducted by Gustav Mahler. Rachmaninoff recalled the rehearsal: Suddenly, Mahler, who had conducted this passage a tempo, tapped his desk: “Stop! Don’t pay any attention to the difficult bowing marked in your parts. … Play the passage like this,” and he indicated a different […]
Problem solving with creativity“Creativity can solve almost any problem — the creative act, the defeat of habit by originality, overcomes everything.” — George Lois, American art director, designer and author. G. Lois, Damn good advice (for people with talent!): how to unleash your creative potential by America’s master communicator, London: Phaidon Press, 2012.
Hilary Hahn on the “story” behind the musicI think the back stories [behind the creation of a work] are interesting … But for me the first aim is to look at the notes, and see how I might interpret them … No offence to the media, but I’ve seen stories told about people I know – and about me – that are […]