I do not choose my listeners“I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will […]
Bruckner’s dogSome of Anton Bruckner’s students decided to play a trick on him. While he was out to lunch, they played music on the piano for Bruckner’s dog. As one of them played a motive from Richard Wagner’s music, the others chased the dog around the room and slapped him. But when they played from Bruckner’s […]
The prerequisites of a genius“Of the three prerequisites of genius; the first is soul; the second is soul; and the third is soul.” – Edwin Whipple, American essayist and critic Cited at: QuotationsBook
The framework of a symphonyThe framework of a symphony must be so strong that it forces you to follow it regardless of the environment and circumstances: [it is] an “ethical necessity”. Jean Sibelius, to Jussi Jalas, 1 October 1939 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
The art within“Only art experienced within, in which the personality plays a creative role can be of interest …To achieve this, those of you who are not already in this sense dead, must die an expiatory death of all superficiality, of all that you have already learnt, of all encumbrances and of all that is false. Then, […]
Abstraction IXTitle: Abstraction IX Composer: Greg Smith Instrumentation: Brass quintet (2 trumpets in B-flat, Horn in F, trombone, bass trombone) Product medium: PDF score and parts SAMPLE:
It’s Oh So QuietIn 1995, Bjork released a big band jazz cover of Betty Hutton’s 1948 hit “Blow a Fuse”. This was a cover of an Austrian song “Und jetzt ist es still” by Hans Lang and Erich Meder. Bjork said of the song: Isn’t that the best song you’ve heard for five years? In a way it […]
The effects of Brahms’ musicJames Huneker, a critic with the New York Courier, wrote about the impact of Brahms’ music on him: Brahms dreams of pure white staircases that scale the infinite. A dazzling, dry light floods his mind, and you hear the rustling of wings – wings of great terrifying monsters; hippogrifs of horrid mien; hieroglyphic faces, faces […]
Saint-Saëns on composing“I produce music as an apple tree produces apples.” — Camille Saint-Saëns Musical Heritage Review. Musical Heritage Society, volume 1, issues 13-18, p.47.
Stanford on Tchaikovsky“Tchaikovsky reminded me, in more ways than one, of his countryman Tourgéniew, whom I once met at Madame Viardot’s. He had none of the Northern roughness, was as polished as a Frenchman in his manner, and had something of the Italian in his temperament… For all the belief which he had in himself, he was […]
