“We’re seeing a big evolution of production, of recording techniques, and of the actual sounds. Everything’s getting sampled and synthesized…. When we do have an acoustic instrument like a saxophone, it tends to get processed to where [it’s] almost unrecognizable.” Jeff Harrington, saxophonist. Cited in, Kelsey McKinney, “Where Did All the Saxophones Go?”,        https://getpocket.com/explore/item/where-did-all-the-saxophones-go?utm_source=pocket-app&utm_medium=share, accessed 29 […]

Title: Who is the king of glory? Text: Psalm 24 (23): 7-10. R. v.8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

After joining the Disney studios in 1930, Frank Churchill composed music for animated shorts and feature films. His output includes Snow White and the Seven Dwarfs, Bambi, and The Three Little Pigs (featuing “Who’s Afraid of the Big Bad Wolf). Animators Frank Thomas and Ollie Johnston recalled in Disney Animation: Walt [Disney] used to claim […]

Mozart’s comments on the musical style of his piano concertos (K. 413-415) portray his underlying aesthetic principle that music should be clear and accessible: I still have 2 concertos to write to complete my subscription concerts. – These concertos are a happy medium between what’s too difficult and too easy – they are Brilliant – […]

“Without leaps of imagination, or dreaming, we lose the excitement of all possibilities. Dreaming, after all, is a form of planning.” Gloria Steinem, writer http://www.gloriasteinem.com  

When Mozart was writing his opera Idomeno, his father warned him to make sure it was accessible to all the audience. Mozart replied: As far as the so-called Popular style is concerned, don’t worry about it; in my Opera you’ll find Musick for every kind of listener = except for those with the long ears […]

On 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily).  Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute.  One evening, just as […]

Title: Behind the Screen (silent film soundtrack) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score (45 pages) Background: Written by: Vincent Bryan, Charlie Chaplin, Maverick Terrell Starring: Eric Campbell, Charles Chaplin, Edna Purviance Film released: 1916 Sample:

To mark the 400th anniversary of Henry Hudson's voyage up the Hudson river in New York, composer Joseph Bertolozzi sampled sounds of percussively hitting various parts of the bridge.  He now has his sights set on using the Eiffel Tower.  Wakin, Daniel, ""After Music from a Bridge, Why Not A Tower?"", Arts Beat, 8 July […]

Music can imply the infinite if enough things depart from the norm far enough. Strange “abnormal” events can lead to the feeling that anything can happen, and you have a music with no boundaries. – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 13 May 2013.