Title: Smooth Sailing Composer: Greg Smith Instrumentation: Piano duet Level: Piano 1 – 1.1 (five finger position) Product medium: PDF score (audio of accompaniment track only)

The stage director of the first Porgy and Bess production recalls hearing the score in Gerswhin's New York apartment: They both blissfully closed their eyes before they continued with the lovely "Summertime" song.  George played with the most beatific smile on his face.  He seemed to float on the waves of his own music with […]

The Beethoven family tree can be traced back to the mid 13th century. The name appears in chronicles of Flemish cities, in parts of northern France, in Mechlin and Antwerp. Two possible theories of the origins of the name are: – van (the) Hof (Beet-Garden) – grower of Beets – after the Belgium town of Betouwe (“be” […]

At a concert in London in December 1911, Rachmaninoff was received to great acclaim: perhaps a little too much from the orchestra's view point, who wanted to play the rest of their program: The London Philharmonic Concert given on November 7, provided an object lesson in this study of the relation of applause to encores.  […]

“Without music, life would be a mistake.” — Friedrich Nietzsche, in Twilight of the Idols

  “You are an extremely valuable, worthwhile, significant person even though your present circumstances may have you feeling otherwise.” – James Newmann, American mathematician

American composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]

Composer: Greg Smith (based on a 16th-century French melody)Title: Fantasia on Ding Dong Merrily on HighInstrumentation: Cello and piano Available from Sheet Music Direct and Sheet Music Plus. SAMPLES:

“At the end of a dinner he was attending by a lady in Liege, Ysaÿe was asked to listen to a young violinist. Although he felt tired and was longing to go back home he could not but accept his hostess’s request. The young man played several pieces from his repertoire. Then, after a long […]

“It’s good! Awfully emotional! Too emotional, but I love it…” Edward Elgar on his own Violin Concerto Jeremy Pound, “First Violin”, BBC Music Magazine, October 2010, p. 36.