Gus Fairbairn (aka Alabaster dePlume) on the challenges of the 2020 pandemic: There is an invitation for me to respond to this pandemic with frustration, but it has allowed me the time to not spend all summer playing festivals and actually focus on my own creativity. It’s all gold. Go forth in the courage of your love as […]

Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]

Title: Lord, make us turn to you Text: Psalm 79 (80) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

“It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.” – John Bradshaw (1992) Creating Love: The Next Great Stage of Growth.  United States: Bantam Books, p.127.

“Writing music is seventy-five per cent an intellectual activity.  This effort is often more pleasant for me than having a rest.” Conversation with Ravel, recalled by Robert de Fragny, Echo liberté, 7 November 1950. Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.

Title: Miniature I Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger position, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)

Plays in the Jacobean period (16th century England) were divided into acts to enable the theatre company to manage the candles. Source: Martin White, University of Bristol. “Shakespeare by Candlelight”, The Times, Cited in The Australian, 30 November 2012.

“One should either be a work of art, or wear a work of art.” Oscar Wilde, Phrases and Philosophies for the Use of the Young

We read books to find out who we are. What other people, real or imaginary, do and think and feel—or have done and thought and felt; or might do and think and feel—is an essential guide to our understanding of what we ourselves are and may become. A person who had never known another human […]

Harvey Sach’s comments on pianist Author Rubinstein at age 13: …it is clear that Arthur’s practising began to deteriorate when he was about fourteen years old.  He would mechanically play through one-handed exercises and use his free hand to feed himself chocolates or cherries, while he read a book that he had propped up on […]