"My favorite Russian composer is Borodin, mainly because he had the shortest name. Except for Cui, who was just showing off. […] Cui wrote an opera called A Feast in Time of Plague. Shows you what kind of guy HE was." (Victor Borge, My Favorite Intermissions, New York, 1971, p133)  

“The passion or affection which should be performed in a courante is sweet hopefullness.” – Johann Mattheson. Siblin, Eric (2009) The Cello Suites. Crows Nest: Allen and Unwin, p. 103.

In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.

In an interview with Beethoven scholar K. E. L. Nohl, Schubert’s friend, Moritz von Schwind revealed that Schubert sold his books so that he could get tickets to the third version of Beethoven’s opera, Fidelio. Ferdinand Luib In an interview with Ferdinand Luib, Anselm Hüttenbrenner stated that Schubert’s favourite works were Beethoven’s Fifth Symphony, Mass […]

Rachmaninoff had a little help with a fugue exam at the Moscow Conservatory in 1891: By mistake the examinations of Rachmaninoff in both piano and fugue were scheduled for the same day and hour, so his fugue examination was transferred to the following day, when he was to be examined alone, the rest of the […]

Title: Deereeree the Wagtail, and the Rainbow Text: Aboriginal dreamtime legend. Based on the account by Catherine Langloh Parker. Composer: Greg Smith Instrumentation: Voice, Flute, 2 Clarinets in Bb, Cello and Piano Product medium: PDF score and part Sample:

Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]

The Russian pianist, Vladimir von Pachmann was known for his funny mannerisms: Everyone knows that the Russian pianist has funny ways of his own, which the public tolerate for the pleasure he affords them as an artist. On this occasion, we read, he remarked, first of all, “Too few people; I cannot play. This is […]

At the core of Beethoven’s “Diabelli” Variations, an esoteric and astonishing piano piece lasting some 50 minutes, is one of the intriguing mysteries of music history. Why did Beethoven, during the difficult last decade of his life, when he was deaf, chronically ill and often in financial straits, become nearly obsessed with writing an extensive […]

In mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]