In 1900, Rachmaninoff worked at the Yekaterininsky Girls’ Institute.  One of his students recalled her experience of examination day: The lessens after luncheon seem an eternity – the examination is to begin at 4.I straighten the front bow of my apron, gather my music together, and run to the music room.  The students to be […]

Title: The Lord is kind and merciful Text: Psalm 102 (103): 1-4, 9-12. R. v.8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Vaughan Williams was commissioned to revise the hymn book of the Anglican Church: Hymns Ancient and Modern. This was amounted to a huge task, but beneficial to his compositional outlook. The study of folk music to ensure the “best” versions of tunes was stressed the importance of musical activity in all spheres of music. He […]

“It takes less time to do a thing right than to explain why you did it wrong.” – Henry Wadsworth Longfellow, poet

Op. 9, no. 2 (Eb major)Op. 15, no. 3 (G minor)Op. 27, no. 1 (C-sharp minor)Op. 27, no. 2 (Db major) Chopin, while Polish by birth established his career in Paris, where his music was well received in intimate venues. In an article in Revue Musicale in 1832, François-Joseph Fétis wrote that Chopin “has found, […]

“Whoever wishes to play well must not only practice a great deal, but must also read a great many books.” – Johannes Brahms. Cited in: Goss, Madeleine (1943). Brahms: The Master. New York: Hery Holt & Company, p.157

“There can be no music without idealogy … We, as revolutionaries, have a different conception of  music from the composers of other [non Soviet-Russia] countries.  Lenin himself said the “Music is a means of unifying people”.  It is not a leader of the masses, perhaps, but certainly an organising force … I think an artist […]

Stewart Warkov, assistant manager of the Symphony of The Air in 1961 described Stokowski playing Bach on the organ: Stokowski played Bach on the organ for me, each time one of the great pieces he had arranged. The sound, the phrasing, and the registration, the ritards and the accelerandos, gave me the impression of hearing […]

George Plimpton, a writer and sportsman, asked if he could play in the New York Philharmonic for a month to write about the workings of an orchestra.  Leonard Bernstein assigned him to the percussion section.  The principal percussionist, Walter Rosenberg, recalled his experience: During rehearsals I would lean over and point to where we were […]

“What is an artist? An artist is a tortured being who, when he opens his mouth to scream, only beautiful sounds emerge.” (Or something like that.)… Do I believe this at all?  It was John Cage who first exposed us to this gorgeous phrase.  In 1945?  Cage the Romantic? Ned Rorem (2000) Lies: A Diary […]