An ounce of patience is worth a pound of brains — Dutch proverb Henry Bonn. A polyglot of foreign proverbs.  London, Henry G. Bohn, 1857, p.315.

Greg Sanders ponders the position of classical music and describes the need for it to catch up with culture, without simply “dumbing it down”: “Of course, I think that if we really understand current culture, we’ll want to go the other way, and make classical music smarter.” Greg Sanders, Arts Journal Blog, February 2, 2009. […]

Stewart Warkov, assistant manager of the Symphony of The Air in 1961 described Stokowski playing Bach on the organ: Stokowski played Bach on the organ for me, each time one of the great pieces he had arranged. The sound, the phrasing, and the registration, the ritards and the accelerandos, gave me the impression of hearing […]

"My favorite Russian composer is Borodin, mainly because he had the shortest name. Except for Cui, who was just showing off. […] Cui wrote an opera called A Feast in Time of Plague. Shows you what kind of guy HE was." (Victor Borge, My Favorite Intermissions, New York, 1971, p133)  

> Title: Tally Ho Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – 1.1 (five finger position with movement to the 6/4 position) Product medium: PDF score and MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)

Title: Abstraction XIV Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Related products: – Abstraction XIV (mp3)This item is currently not in print SAMPLE:

It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]

Title: Gymnopedies No. 1 Composer: Eric Satie Arranger: Greg Smith Instrumentation: Cello quartet Product medium: PDF score and parts Sample:    

Isaac Goldberg described Gershwin’s enthusiasm when conducting: He conducted not just with his baton, but with his cigar, his shoulders, his hips, his eyes and whatnot.  Nothing but a sense of propriety keeps him from leaping over the footlights and getting right into the show himself. Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon […]

“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time […]