The best music

“The best music is the music that persuades us that there is no other music in the world.”

– Alex Ross, music critic 

Cited in: Ross, Alex, “From Classical to punk”, Limelight, January 2011, p.29.


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Abstraction X
Title: Abstraction X Composer: Greg Smith Instrumentation: Piano Product medium: PDF scoreRelated products: – Abstraction X (MP3) SAMPLE:
Two paths for the future of classical music
Greg Sanders ponders the position of classical music and describes the need for it to catch up with culture, without simply “dumbing it down”: “Of course, I think that if we really understand current culture, we’ll want to go the other way, and make classical music smarter.” Greg Sanders, Arts Journal Blog, February 2, 2009. […]
George Sand on Chopin’s compositional process
“His creation was spontaneous and miraculous. He found it without seeking it, without forseeing it. It came on his piano suddenly, complete, sublime, or it sang in his head during a walk when he was impatient to play it to himself. But then he began the most heart-rending labor I ever saw. It was a […]
The Lord Has Revealed To All Nations His Saving Power (Setting ii) – Psalm 97 (98)
Title: The Lord has revealed to all nations his saving power (Setting ii) Text: Psalm 97 (98): 1-4. R. cf. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Mozart improvising
In 1777, Mozart was having lunch with his uncle at the Holy Cross Convent in Ausburg. Mozart played a sinfoni and Vanhall’s Violin Concerto in B. In the evening, at supper, he performed his Strasbourg concerto, a keyboard prelude and his Fischer Variations (K179). It was suggested to the deacon of the Holy Cross Conen, […]
How piano wires have changed throughout history
While piano wire has changed over the centuries from iron to steel of varying qualities, researchers were surprised to find that the sound produced by the instruments’ wires has remained largely unchanged. “I thought as the wire evolved — as the tension evolved — harmonicity would also change over time,” Purdue University physics professor Nicholas […]
Artificial by nature
Burnett James describes how in the 1920s Ravel was preoccupied with decorating "Le Belvédère" [his house] and in laying out the garden with many small exotic plants and miniature Japanese trees. To see that house and garden today is to experience a feeling of direct contact with Ravel. He deliberately made it an accurate reflection […]
Hilary Hahn on the “story” behind the music
I think the back stories [behind the creation of a work] are interesting … But for me the first aim is to look at the notes, and see how I might interpret them … No offence to the media, but I’ve seen stories told about people I know – and about me – that are […]
Who needs four strings anyway?
In his work Le Streghe (The Witches), the virtuoso violinist Paganini would use scissors to reduce the number of strings on his violin throughout the piece, until he would be left playing the work on just the G string. Source: Haylock, Julian, “Nicolo Paganini”, Classic FM, December 2009, p. 41.
American Western Film Soundtracks
“Morricone brought the electric guitar to the western. The great thing, though, about the electric guitar in the western is that there were no electric guitars, but somehow he did it so committedly that nobody ever questioned it. It was only much later people started to say, ‘How come there’s an electric guitar part there?’ […]