Mozart on melody“Melody is the essence of music”, continued he; “I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone, and remember the old Italian proverb – ‘Chi sa piu, meno sa – Who knows most, knows least’.” The Reminiscences of Michael Kelly, 1826. Cited in: Marshal, […]
What a difference an audience makesMozart was in Paris in 1778. He visited the duchess of Chabot, Elisabeth-Louise de la Rochefoucauld, wife of Louis-Antoine-Auguste de Rohan. Mozart described the visit in a letter to his father: A week went by without any reply, but she had informed me to see her in a week’s time, so kept my word and […]
The effect of audience reception on Stravinsky’s compositional processStravinksy on the public not particularly liking his music: Their attitude certainly cannot make me deviate from my path. I shall assuredly not sacrifice my predilections and my aspirations to the demands of those who, in their blindness, do not realize that they are simply asking me to go backwards … I could not follow […]
Jan Lisiecki on interpretationMy approach is to sit with the score and make my decisions about what Andante means or what piano means in a certain context; often you go back to recordings and find that nobody’s ever really played it that way. You ask yourself ‘Why is that? Did I misread or misinterpret something? Or is this […]
The first soundtrack: Snow WhiteThe first soundtrack to be commercially released was Disney’s 1938 film Snow White and the Seven Dwarfs. The songs were written by Frank Churchill (music) and Lary Morey (lyrics). The score was written by Churchill and Leigh Harline, with some additional music by Paul Smith. Although Churchill and Morey originally wrote 25 songs for the […]
Feeling FineTitle: Feeling Fine Composer: Greg Smith Instrumentation: Piano duet Level: 1 (5 finger position) Product medium: PDf score & MP3 accompaniment track (Audio sample of accompaniment track only)
Playing by the mood of the audienceRachmaninoff sent fellow composer/pianist Medtner his Corelli Variations. He wrote: I played them here about fifteen times, but of these fifteen performances, only one was good. The others were sloppy. I can't play my own compositions! And it's so boring! Not once have I played these all in continuity. I was guided by the coughing […]
Baudelaire on inspiration“Inspiration is merely the reward for working every day!” – Charles Baudelaire (French poet). According to Roland-Manuel, Ravel would often recite this phrase. Source: Nichols, Roger (1987) Ravel Remembered. London: Faber & Faber, p. 143.
The London Proms in the 1930sA recollection of the London Proms in 1936: The behavior of the Promenaders was more genteel in those days … there wasn’t the same degree of shouting as now. During the famous hornpipe in Henry Wood’s Fantasia on British Sea Songs people tapped with their umbrellas and sticks, rather than stamping. As the applause went […]
Mozart on Craft“People are mistaken, if they think that my art has come easily to me. I assure you, dear friend, no one has devoted so much effort in the study of composition as have I. There is scarcely a famous master in must whose works I have not diligently, and often repeatedly, studied.” – Mozart, in […]