The composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel. — George Gershwin Isaac Goldberg. Tin Pan Alley. New […]

A craftsman replicating large medallions has discovered medieval Scottish notation of instrumental music.  The notation is sequences of 0s, Is and IIs. Barnaby Brown, a specialist in early Scottish music, notated that, “This discovery is potentially of great significance to our understanding of medieval and Renaissance instrumental music – the normally ‘unwritten’ practice of the elite court […]

We read books to find out who we are. What other people, real or imaginary, do and think and feel—or have done and thought and felt; or might do and think and feel—is an essential guide to our understanding of what we ourselves are and may become. A person who had never known another human […]

Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.

When Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see […]

The Hungarian mathematician, Paul von Jankó developed an alternate layout to the traditional piano keyboard. In July 1888, upon seeing a performance in London by John Carlowitz Ames, The Musical Times reported: The clever idea, which suggested itself to the inventor as a means for overcoming the difficulty of stretching long intervals on the pianoforte […]

This culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener […]

Title: Lullaby Composer: Greg Smith Instrumentation: Piano Product medium: PDF score     Related products:     – Lullaby (mp3) SAMPLE:

Satie’s ballet Relâche (1924) had trouble pulling a crowd: the title translates as “this performances is cancelled”. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.

“Applause is a receipt, not a bill.” – Artur Schnabel, pianist Cited at Aphorism.ru. Cited 30 March 2013.