This culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener what must be conveyed.
Sergei Rachmaninoff to Marietta Shaginian, cited in G. Norris, “Sergey Rakhmaninov,” The New Grove Dictionary of Music & Musicians, edited by Stanley Sadie, London, Macmillan, 1995, vol. 15, p.555.
Rachmaninoff on the culminating point in performance
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Water music
A common theme in the music of French composers at pre world war I was water. Debussy wrote En bateau (On the Boat), Sirenes (Sirens), Reflets dans l’eau (Reflections in the Water), Voiles (Sails), and La Cathedrale engloutie (The Engulfed Cathedral). Ravel wrote Jeux d’Eau (The Water Fountain), and Ondine. So striking a peculiarity of […]
Education and researchEducation & research services in the fields below are offered both: – online – face to face Skill areas: – Aural and harmony – Analysis – Music history – Piano tuition How can Emotemuse help you? – Tuition – Research and analysis Contact THE CRAFT OF THE MUSICAL LANGUAGE Greg Smith completed a Bachelor […]
Abstraction VIITitle: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:
The career of a musician compared to other artsThe career of a musician out to be — it is, actually, and in many ways — different from the careers of artists in other fields of art. All comparisons of the other arts with music are necessarily somewhat superficial. The art of music needs, essentially, not much contact with social groups, or concern with […]
It is imperative to learn musicThe philosopher Nietzsche noted: “Our emotional life is least clear to ourselves.” For this reason, it is imperative to listen to music, because music makes the strings of our inner life resonate. Even if the result is not complete self-realization, at least we can still feel our essence in the “resonance”. Safranski, Rüdiger (2002) Nietzsche: […]
Fantasia on “I Saw Three Ships”Title: Fantasia on “I Saw Three Ships” Composer: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part Sample:
The London Proms in the 1930sA recollection of the London Proms in 1936: The behavior of the Promenaders was more genteel in those days … there wasn’t the same degree of shouting as now. During the famous hornpipe in Henry Wood’s Fantasia on British Sea Songs people tapped with their umbrellas and sticks, rather than stamping. As the applause went […]
There’s a crack in everythingThere is a crack, a crack in everythingThat’s how the light gets in. Leonard Cohen, “Anthem Related: “There is a crack in everything, that’s how the light gets in”: The story of Leonard Cohen’s “Anthem”
Tales from the Carreck of Fergus McGeeTitle: Tales from the Carreck of Fergus McGee (I. Lament; II: Gigue) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score
Tips for composersRob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]