Hans Zimmer on the musical experienceEverybody tells you that the youth of today, whoever they are, have a short attention span, and you can’t give them anything decent. That’s complete crap. The youth of today, just like anyone else, like a good story and want to be transported, and to have an experience. They don’t want to be bored, so […]
Goldsmith on film scoring“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was ‘turned on’ by a libretto. The most difficult problem in […]
The limits of imaginationYou’re travelling to another dimension, a dimension not only of sight and sound… but of mind. A journey into a wondrous land, whose boundaries are only that of the imagination… you’re entering… the Twilight Zone… – Rod Serling, The Twilight Zone
Vocal and choralSee also Sacred Music
Lord,When Your Glory Appears (Setting II) – Psalm 16 (17)Title: Lord, when your glory appears (Setting II) Text: Psalm 16 (17): 1, 5-6, 8, 15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Britten on composing“Composing is like driving down a foggy road toward a house. Slowly you see more details of the house – the colour of the slates and bricks, the shape of the windows. The notes are the bricks and mortar of the house.” – Benjamin Britten. Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury […]
Tchaikovsky on Don GiovanniTchaikovsky, later in his life, reflected on hearing Mozart's Don Giovanni as a boy: The music of Don Giovanni was the first to conquer me completely. It awoke an ecstasy in me of which the consequences are known. It gave me the key to the spheres of pure beauty in which the greatest geniuses soar. […]
The art of listening“It’s a challenge, for me at least, to do nothing but listen. You need to set aside time for it. You need to concentrate on the music alone (and not on your next deadline). But when it works, you open yourself up to the transcendent ecstasy good music can bring.” Francis Merson, editor, Limelight, April […]
Brahms’ stingy sideMusicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant. He bought only the cheapest clothes, wore the same […]
Imogen Cooper on a lesson with Alfred BrendelHe was a wonderful teacher. He is extremely articulate and very demanding. He made no concessions to my age. In my first lesson, I was playing a Schubert piano sonata, and the first chord took 20 minutes. I played it again and again, and Brendel wandered around the room saying: “No, balance of sound wrong […]