“Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahm’s Intermezzi and Beethoven’s “Waldstein” Sonata. His tone is as a rule dry in anything above a piano, but a sudden touch of pedal […]

In Anglican England in the nineteenth and early twentieth centuries, there was considerable opposition to the Roman Catholic Gregorian chant.  The Parish Choir or Church Music Book, published by the Society for the Promoting of Church Music (October 1847), applauds those who “deal heavy blows at Romanism and every other form of dissent.” (1)  Part […]

Satie wrote that “An artist must organise his life.” In 1913, he set said out a schedule in which he stated he would be inspired between 10:23 and 11:47am, and 3:12 to 4:10pm. The timetable allowed for daily house riding, and various other activities such as fencing, reflection, immobility, visits, contemplation, swimming, etc. The day […]

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Title: One Week (silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 score (22:24) BACKGROUND: Film: Directors: Edward F. Cline & Buster Keaton Starring: Buster Keaton, Joe Roberts, Sybil Seely Date of release: 1920 Synopsis: A newly wed couple receive a generous gift of a house of their own. There’s […]

There is a story that Igor Stravinsky went to the New York jazz club Birdland one evening in 1951. Whispers went round that the great composer was in the house. When Charlie Parker came on with his quintet, he didn’t acknowledge Stravinsky in person, but seamlessly quoted The Firebird in his first number, the furiously […]

American composer Aaron Copland discusses the influence of Jazz on his musical style: was a very important influence at one time. I wrote a Piano Concerto in 1927 which was largely based on jazz materials. Jazz, of course, is for us a very typical American musical expression, which we have not so successfully been able […]

“There was a time, not so long ago, that Klaus Heymann was accused of trying to destroy the classical music industry. That was around the same time that the world realized that Naxos, Heymann’s budget-record label, was not just another series of CDs in the bargain bin. At first, nobody really knew what to make […]

Numbering of psalms. Different translations of the psalms have been used. For consistency, the psalms are labelled by the Hebrew numbering first, followed by the Greek number in parenthesis.