Work so that you don’t have to work

Herr Richter, the pianist, is going on a tour that will take him back to Holland, his native country – I have given him a letter introductionto the Countess Thun at Linz. – He also wishes to visit Salzbourg, so I gave him a 4-line note for you, my dearest father … He plays well as far as execution is concerned, – however – as you will hear – his playing is too coarse – too belabored – without any taste and feeling. – Apart from that he is the best fellow in the world – and not a bit conceited.  – When I played for him, his eyes were totally fixed on my fingers – then he burst out: Good God! – how hard I have to work, until I sweat, and – still I get no applause – and you, my friend, your playing is so playful.  Yes, I said, but I too had to work hard so that I don’t now have to work so hard anymore…

Mozart, in a letter to his father, Vienna, April 28, 1784.

Cited in: Spaethling, Robert (2000) Mozart’s Letters; Mozart’s Life. London: Faber and Faber, p.368.


Posted

in

by


Featured Content

Haydn’s audition
Karl Georg Reutter II was appointed choirmaster at St. Stephen’s Cathedral in Vienna in 1738.  The following year he went on tour to recruit choristers.  In the town of Hainburg, Joseph Haydn (at stage seven years of age) auditioned.  The contemporary biography Guiseppe Carpani recalled: Reutter gave him a tune to sing at sight. The […]
Beyond the comfort zone
I believe one shouldn’t be too comfortable when listening to really great music.  To appreciate good music, one must be mentally alert, and emotionally receptive.  You can’t be that when you are sitting at home with your feet on a chair. No, listening to  music is more strenuous than that.  Music is like the poetry;  […]
It’s the page turner’s fault
Several years ago, Mr. Kalichstein hired a young music student who kept reaching across the score to turn pages from the bottom right corner, in the process obscuring several measures of the concerto. “Take it from the top!” the frustrated Mr. Kalichstein finally hissed; reflexively, the page turner flipped the score back to the beginning. […]
Mozart on rubato in adagios
In 1777, Mozart visited Heir Stein in Ausburg (1). According to Mozart, Stein had stated that no-one has ever played his Piano Forte as well as I have, and, besides, I always keep correct time. They are all wondering about that. They simply can’t believe that you can play a Tempo rubato in an Adagio, […]
SEARCH
SEARCH SITE: SEARCH WEB:
Focus
Concentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.
Hilary Hahn on the “story” behind the music
I think the back stories [behind the creation of a work] are interesting … But for me the first aim is to look at the notes, and see how I might interpret them … No offence to the media, but I’ve seen stories told about people I know – and about me – that are […]
A bewitched recording
Early phonograph recordings were a little rough.  In 1889, pianist Hans von Bülow was asked to play into a phonograph in America: After playing upon a pianoforte, from which issued sounds compared to the soft and dreamy gurgle of a brook, the far-off sighign of the night wind and the roar of the cataract, he […]
Mood lighting to boost creativity
A study published in the Journal of Environmental Psychology has concluded that the level of lighting in a room can impact the level of creative thinking. Anna Steidle and Lioba Werth concluded that “darkness increases freedom from constraints, which in turn promotes creativity.” A dark environment “elicits a feeling of freedom, self-determination, and reduced inhibition, […]
I’ll Softly Sigh
Composer: Greg Smith Title: I’ll Softly Sigh Instrumentation: Piano Performer: Greg Smith (2010) Your browser does not support the audio element. Sheet music