Collaborative piano

PERFORMANCE BIOGRAPHY
GREG SMITH
Certifications and degrees:
– 1996: Associate of Music, Australia (A. mus. A.) in piano performance
– 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance
– 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition.
– 2003: Master of Creative Arts, University of Music.  Performance practice issues in Russian piano music.

Experience:

  • Performances as soliost and accompanist in Australia, Japan, Malaysia, and New Zealand.
  • Performed improvised and original scores for Australia’s Silent Film Festival.  Films include Nosferatu, The Lodger, The General, Tol’rable David, and shorts by Charlie Chaplin and Buster Keating.
  • Collaborative pianist with artists ranging from beginners through to post-graduate university students and professional performers.  Worked with most instruments and familiar with a large portion of the repertoire.  Particular interest in the late romantic repertoire (such as Rachmaninoff’s cello sonata, Arensky’s piano trio, and the Brahms sonatas).  Collaborated with artists of the Christchurch Camerata, Central Coast Philharmonic Choirs, Newcastle Festival Opera and insitutions such as the University of Newcastle, School and Community Music, and the McDonald College.
  • Repetiteur: for various companies, including Newcastle Festival Opera.  Recent works include La Boheme (Puccini), Candide (Bernstein), The Gondeliers (Sullivan), and Threepenny Opera (Weil).
  • Recorded accompaniment/background tracks for various artists ranging from musicians to theatre groups.

SERVICES
Solo & collaborative piano services:
– Solo performance
– Accompaniment & ensemble performance
– Repetiteur services
– Recording
– Tuition
– Piano method

Contact Greg Smith


Posted

in

by


Featured Content

What drives the wise
“There is hardly any treatise which could be too learned for me. I have not the slightest pretension to what is properly called erudition. Yet from my childhood I have striven to understand what the better and wiser people of every age were driving at in their works. Shame on an artist who does not […]
Goldsmith on film scoring
“Working to timings and synchronising your musical thoughts with the film can be stimulating rather than restrictive. Scoring is a limitation but like any limitation is can be made to work for you. Verdi, except for a handful of pieces, worked best when he was ‘turned on’ by a libretto. The most difficult problem in […]
Glenn Gould on recording
Pianist Glenn Gould discussed the recording process with Yehudi Menuhin completing the playback of a Bach gigue: Now, Yehudi, you’ve got to admit that you would not be likely to encounter a sound like that in the concert hall… The point is that, if I were to play that piece in a concert hall, as […]
Artificial by nature
Burnett James describes how in the 1920s Ravel was preoccupied with decorating "Le Belvédère" [his house] and in laying out the garden with many small exotic plants and miniature Japanese trees. To see that house and garden today is to experience a feeling of direct contact with Ravel. He deliberately made it an accurate reflection […]
Music acting as a spirit resonance
My purpose is to create music not for snobs, but for all people, music which is beautiful and healing.  To attempt what old Chinese painters called "spirit resonance" in melody and sound. – Alan Hovhaness. Cited at The Alan Hovhaness Website: http://www.hovhaness.com/Hovhaness.html
Why we read
We read books to find out who we are. What other people, real or imaginary, do and think and feel—or have done and thought and felt; or might do and think and feel—is an essential guide to our understanding of what we ourselves are and may become. A person who had never known another human […]
A motorboat experience
Rachmaninoff was a great lover of motorboating and used to go out every day.  He always steered himself.  Often he went out alone.  This hobby of his nearly proved fatal during that stay of ours.  About an hour before dinner he said: “I think I shall go for a spin on the lake.” He got […]
The ideal and the played performance
Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]
Tchaikovsky and the village children
Tchaikovsky lived in a village Maidanovo.  When Tchaikovsky would go for works, he would also be hailed by groups of village children.  As Sofya Nikolayevna recalled: “They had discovered the times he went out and, as he always liked to gave them something, sweets or a coin, they used to lie in wait for him.” […]
Bless the Lord, My Soul – Psalm 103 (104)
Title: Bless the Lord, my soul Text: Psalm 103 (104): 1-2, 3-4, 24-25, 27-30 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and partSAMPLE: