Ravel’s influence on Vaughan Williams

In 1908, after a period of intense period of immersion in English music due to his role as editor of Hymns Ancient and Modern, Vaughan Williams “came to the conclusion that I was lumpy and stodgy, had come to a dead-end, and that a little French polish would be of use to me.” (1) He studied with Maurice Ravel, who gave him advice on texture and orchestration. Vaughan Williams recalled that he and Ravel became “great friends and I learnt much from him. For example that the heavy contrapuntal Teutonic manner was not necessary … He showed me how to orchestrate in points of colour rather than in lines.” (2)

(1) Holmes, Paul (1997) Vaughan Williams. London: Omnibus Press, p.36.
(2) Ibid.

Posted

in

by

Greg

Tags:

, ,

Featured Content

Skye Boat Song
Title: Skye Boat Song Composer: Scottish folk melody (arr. Greg Smith) Instrumentation: Piano Product medium: PDF score
The forgotten aspect of music
“One of things that’s been forgotten in music for a long time is the ability to be nakedly emotional”. David Lang, composer Cited in “When Opera Is New and Unproved”, Anne Midgette, The Washington Post, 7 September 2008.
Tchaikovsky on Don Giovanni
Tchaikovsky, later in his life, reflected on hearing Mozart's Don Giovanni as a boy: The music of Don Giovanni was the first to conquer me completely.  It awoke an ecstasy in me of which the consequences are known.  It gave me the key to the spheres of pure beauty in which the greatest geniuses soar.  […]
Musicians in Dresden in 1720s
”There was rivalry among the musicians in Dresden in the 1720s.  Daniel Heartz describes some incidents: Silvius Weiss, the famous lutenist, saw his livelihood threatened when he was attacked by a French violinist named Petit, who attempted to bite off the top joint of his right thumb.  On 13 August 1722 Veracini jumped to the […]
Tips for composers
Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]
The need for books
We wouldn’t need books quite so much if everyone around us understood us well. But they don’t. Even those who love us get us wrong. They tell us who we are but miss things out. They claim to know what we need, but forget to ask us properly first. They can’t understand what we feel […]
The effect of Tchaikovsky’s music on his patroness
Nadyezhda Filaretovna von Meck was Tchaikovsky’s patroness.  In March 1877 she wrote of the effect of Tchaikovsky’s music on her.  The work being described is a Marche Funèbre on a theme from Oprichnik (this work is now lost).    It is so superb that, as I had hoped, it elevates and transports me into a […]
Music as a metaphor … or not
“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.
Wexford Carol (SATB and piano)
Title: Wexford Carol Text: 12th century Irish Composer: 12th century Irish, arr. Greg Smith Instrumentation: SATB and piano     Related products:     – Wexford Carol – SATB and organ (PDF score) Product medium: PDF score and parts Sample:
Learn the rules like a pro
“Learn the rules like a pro so you can break them like an artist.” Attributed to Pablo Picasso, painter